Thomas Arne (1710-1778)
Alfred – An Early English Opera
Orchestra of the Age of Enlightenment – Nicolas Kraemer, Conductor (BBC Music)
Recorded at Studio 1, Maida Vale, London, October 16-17, 1995
ONE-SENTENCE REVIEW:
Early English Opera – oh, yeah, let’s get this party started right!
ORIGINAL LINER NOTES (by Jonathan Keates):
Thomas Arne’s Alfred, first produced in 1740 as a masque and later adapted for production as an English opera in 1753, is based on the story of the Saxon king Alfred’s resistance to the invading Danes during the ninth century.
Act 1 opens with the discovery, by the shepherd Corin and his wife Emma, of King Alfred asleep under an oak tree. The king has taken refuge from the Danes, and the pair now offer him shelter in their cottage. Left alone, Alfred despairs of recovering his kingdom and appeals to the ‘genius’ of Britain for help. His wife Eltruda and son Edward enter and the three go into the shepherd’s cottage.
In Act 2 Emma consoles Eltruda for Alfred’s absence by comparing her plight with that of the lovelorn Edith, whose sweetheart has gone to the wars. Alfred returns and promises to take proper care of Eltruda. Spirits arise and address Alfred as ‘father of the state,’ urging him not to despair. Eltruda offers further encouragement to her husband. Alfred and Edward begin their assault on a Danish fort, and a dirge is sung for those who die in the battle.
Act 3 begins with the shepherds celebrating Alfred’s presence among them. Eltruda summons guardian angels to protect her, but news soon arrives of Alfred’s victory. Soldiers parade triumphantly to a ‘March with a side drum’ and the opera ends with the festive ode Rule, Britania.
TRACK LISTING:
- 1: Overture [6:30]
- 2: The shepherd’s plain life [3:33]
- 3. Sweet valley say [2:01]
- 4: Let’s not those who love complain [4:00]
- 5: Love’s the tyrant of the heart [3:32]
- 6: From the dawn of early morning [5:44]
- 7: Hear, Alfred, hear [2:29]
- 8: Gracious heav’n, O hear me [5:30]
- 9: Vengeance, O come inspire me! [6:15]
- 10: There honour comes [2:28]
- 11: Ah me, what fears oppress… Guardian angels, O descend [3:02]
- 12: March with a side drum [1:34]
- 13: Rule, Britannia [4:17]
https://www.youtube.com/watch?v=yDE3yavXs-A
FINAL THOUGHT:
I love early English opera as much as the next person (there are vocal runs in those operas that would make singers on The Voice say to tone it down), but, Jesus Christ, this was a slog. Thank God for Rule, Britania at the end to liven things up a bit.
Emily Sachs – President – Manka Music Group (A division of Manka Bros. Studios – The World’s Largest Media Company)
Comfortabl y, the post is really the sweetest on this notable topic. I match in with your conclusions and also can eagerly look forward to your upcoming updates. Simply saying thanks will certainly not just be enough, for the phenomenal lucidity in your writing. I will directly grab your rss feed to stay abreast of any kind of updates. De lightful work and also much success in your business endeavors! noodlemagazin
An impressive article by a genuine thinker! I find myself agreeing with many of the valid points raised. I’ll return for future posts. Futemax ao vivo
A thought-provoking article from a true thinker! I find many of the points relatable. Eager to see more from this writer! Futemax ao vivo
Hi there, i read your blog occasionally and i own a similar one and i was just curious if you get a lot of spam feedback? If so how do you stop it, any plugin or anything you can suggest? I get so much lately it’s driving me crazy so any support is very much appreciated. chochox