Brahms – Clarinet Sonatas, Opus 120 / 1-2

Johannes Brahms (1833-1897)

Clarinet Sonata, Opus 120 / 1

Clarinet Sonata, Opus 120 / 2

Ralph Vaughan Williams (1872-1958)

Six Studies In English Folksong

Darius Milhaud (1892-1974)

Duo Concertant

Performed by:

Jonathan Cohler (Clarinet); Judith Gordon and Randall Hodgkinson (Pianos)

ONE-SENTENCE REVIEW:

Jonathan Cohler is definitely the go-to American Clarinetist for Brahms, Vaughan Williams and Milhaud chamber music.

ORIGINAL LINER NOTES (Adrian Jack, 1994):

When Brahms first heard the clarinetist Richard Muhlfeld play, he had not written anything for a year. Muhlfeld must have made a big impression – for Brahms wrote a trio and a quintet for him immediately, in 1891, and two sonatas three years later.

He accompanied Muhlfeld himself in the first performances of the sonatas, and gave him his own performing fees whenever they played the works together subsequently; he also granted Mulfeld all the performing rights fees in his lifetime.

Both sonatas really put the clarinet through its paces, but the First is perhaps more varied as well as more dramatic than the Second. The Second has its own mellow appeal, though it packs power into its central movement and the closing pages of its Finale.

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Brahms also made alternative versions of the sonatas, for violin and viola. The viola versions are considered more satisfying and leave the piano parts unaltered; nevertheless, Brahms‘ great friend Joseph Joachim, who disliked arrangements as a rule, played the violin version of these sonatas many times.

Vaughan Williams originally wrote his Six Studies in English Folksong in 1925 for cello and piano. They were published with alternative parts for violin, viola or clarinet!

They are less like studies than reveries, and they are based very freely on existing songs.

Darius Milhaud was such a prolific composer he would not have been out of place in the 18th century, when composers wrote music to be used immediately rather than as a passport to immortality.

His Duo Concertant has the the impressive opus number of 351. He wrote it early in 1956 for the professor of clarinet at the Paris Conservatoire, though it has nothing of the academic about it.

TRACK LISTING:

Johannes Brahms – Sonata In F Minor, Opus 120 / 1

  1. Allegro appassianato – 8:04
  2. Andante, un poco adagio – 5:11
  3. Allegreto graziosa – 4:19
  4. Vivace – 4:59

Johannes Brahms – Sonata In E-Flat, Opus 120 / 2

  1. Allegro amabile – 8:21
  2. Allegro, molto appassianato – 5:23
  3. Andante con moto – Allegro – 7:05

Vaughan Williams – Six Studies In English Folksong – 7:43

Milhaud – Duo Concertant – 6:24

FINAL THOUGHT:

I do love Brahms chamber music – and this a great sampling of virtuoso clarinet at its finest. And Mr. Cohler is quite the artist. Highly recommended for a lazy Sunday afternoon.

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Emily Sachs – President – Manka Music Group (A division of Manka Bros. Studios – The World’s Largest Media Company)

 

Thomas Arne – Alfred

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Alfred – An Early English Opera

Orchestra of the Age of Enlightenment – Nicolas Kraemer, Conductor (BBC Music)

Recorded at Studio 1, Maida Vale, London, October 16-17, 1995

ONE-SENTENCE REVIEW:

Early English Opera – oh, yeah, let’s get this party started right!

ORIGINAL LINER NOTES (by Jonathan Keates):

Thomas Arne’s Alfred, first produced in 1740 as a masque and later adapted for production as an English opera in 1753, is based on the story of the Saxon king Alfred’s resistance to the invading Danes during the ninth century.

Manka Bros., Khan Manka, Emily Sachs, Emily's Music Dump, Manka Music Group, Thomas Arne, Alfred, BBC Music, Early English Opera, Rule Brittania, Alfred Saxon King, Diana Montague, Nicholas Sears, Catherine Pierard, Mark Padmore, Stephen Wallace, Ruth Holton, Orchestra of the Age of Enlightenment, Nicholas Kraemer, Gwen Hughes, Kenneth Richardson, Classical Music BlogAct 1 opens with the discovery, by the shepherd Corin and his wife Emma, of King Alfred asleep under an oak tree. The king has taken refuge from the Danes, and the pair now offer him shelter in their cottage. Left alone, Alfred despairs of recovering his kingdom and appeals to the ‘genius’ of Britain for help. His wife Eltruda and son Edward enter and the three go into the shepherd’s cottage.

In Act 2 Emma consoles Eltruda for Alfred’s absence by comparing her plight with that of the lovelorn Edith, whose sweetheart has gone to the wars. Alfred returns and promises to take proper care of Eltruda. Spirits arise and address Alfred as ‘father of the state,’ urging him not to despair. Eltruda offers further encouragement to her husband. Alfred and Edward begin their assault on a Danish fort, and a dirge is sung for those who die in the battle.

Act 3 begins with the shepherds celebrating Alfred’s presence among them. Eltruda summons guardian angels to protect her, but news soon arrives of Alfred’s victory. Soldiers parade triumphantly to a ‘March with a side drum’ and the opera ends with the festive ode Rule, Britania.

TRACK LISTING:

  • 1: Overture [6:30]
  • 2: The shepherd’s plain life [3:33]
  • 3. Sweet valley say [2:01]
  • 4: Let’s not those who love complain [4:00]
  • 5: Love’s the tyrant of the heart [3:32]
  • 6: From the dawn of early morning [5:44]
  • 7: Hear, Alfred, hear [2:29]
  • 8: Gracious heav’n, O hear me [5:30]
  • 9: Vengeance, O come inspire me! [6:15]
  • 10: There honour comes [2:28]
  • 11: Ah me, what fears oppress… Guardian angels, O descend [3:02]
  • 12: March with a side drum [1:34]
  • 13: Rule, Britannia [4:17]

https://www.youtube.com/watch?v=yDE3yavXs-A

FINAL THOUGHT:

I love early English opera as much as the next person (there are vocal runs in those operas that would make singers on The Voice say to tone it down), but, Jesus Christ, this was a slog. Thank God for Rule, Britania at the end to liven things up a bit.

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Emily Sachs – President – Manka Music Group (A division of Manka Bros. Studios – The World’s Largest Media Company)