Beethoven – Piano Sonatas – Opus 106 and Opus 111

Manka Bros., Khan Manka, Emily Sachs, Emily's Music Dump, Manka Music Group, Beethoven, Ludwig Van Beethoven, Piano Sonatas, Moonlight, Pathetique, Pastorale, Wilhelm Kempff, Wolfgang Lohse, Heinz Wildhagen, Hartmut Pfeiffer, Joan Chissell, Clementi, Dussek, Countess Giulietta Guicciardi, immortal Beloved, Rellstab, Cranz, Countess Therese von Brunsvik, Zino Francescatti, Robert Casadesus, Umberto Boccioni, Ted Bernstein, Woody Allen, Diane Keaton, Love and Death, BBC Music Magazine, Opus 106, Opus 111, Hammerklavier, Misha Donat, Karl Stieler, Edith Vogel, Haydn, Archduke Rudolph of AustriaLudwig Van Beethoven (1770-1827)

Piano Sonata in B Flat Major, Opus 106 – “Hammerklavier”

Piano Sonata in C minor, Opus 111

Edith Vogel, piano

Recorded in 1994 (BBC Music Magazine)

ONE-SENTENCE REVIEW:

Other than sounding like it was recorded in a high school gymnasium (lots of echo), when you cut through the sound clutter, the performance is excellent.

ORIGINAL LINER NOTES (by Misha Donat):

Beethoven published his first three sonatas, Opus 2 (1-3) in 1796, when he was in his mid-20s, and dedicated them to his former teacher Haydn.

Two decades and two dozen piano sonatas later, he began work on what was to be his final group of five sonatas. For some time he had been attempting to find German equivalents for the traditional Italian musical forms; and in 1817, he instructed his publisher to use the term “Hammerklavier” instead of “pianoforte” for all his future piano works.

Manka Bros., Khan Manka, Emily Sachs, Emily's Music Dump, Manka Music Group, Beethoven, Ludwig Van Beethoven, Piano Sonatas, Moonlight, Pathetique, Pastorale, Wilhelm Kempff, Wolfgang Lohse, Heinz Wildhagen, Hartmut Pfeiffer, Joan Chissell, Clementi, Dussek, Countess Giulietta Guicciardi, immortal Beloved, Rellstab, Cranz, Countess Therese von Brunsvik, Zino Francescatti, Robert Casadesus, Umberto Boccioni, Ted Bernstein, Woody Allen, Diane Keaton, Love and Death, BBC Music Magazine, Opus 106, Opus 111, Hammerklavier, Misha Donat, Karl Stieler, Edith Vogel, Haydn, Archduke Rudolph of AustriaHis instruction was, however, unambiguously carried out only in the case of Opus 106 – the second of his late sonatas. As a grand sonata in four distinct movements, the Hammerklavier stands apart from its companions. It is a work of unprecedented scope, with the broadest slow movement Beethoven ever wrote for the piano, and a finale consisting of a colossal fugue – which makes huge demand on performer and listener alike.

Like the Sonata Opus 111, the Hammerklavier was dedicated to Beethoven’s staunchest patron, Archduke Rudolph of Austria, and its fanfare-like opening phrase was designed to fit the words, “Vivat, vivat Rudolphus!” 

Opus 111 was Beethoven’s last sonata, and also his final work in his characteristically dramatic key of C minor. This time there are only two movements; the first begins with an intense slow introduction, out of which the Allegro explodes with force.

The finale is a set of variations on a serene ‘Arietta.’ The variations gradually increase in intricacy until they reach a long-sustained trill, and the sonata comes to a close in an atmosphere of profound calm.

TRACK LISTING:

  • 1-4: Piano Sonata in B flat Major, Opus 106 – “Hammerklavier”
  • 5-6: Piano Sonata in C minor, Opus 111

FINAL THOUGHT:

I used to love with my new copy of BBC Magazine would come in the mid-1990s with the CD glued to the cover. The glue would tear the cover of the magazine off until they decided (after the first few issues and probably thousands of complaints) to put the CD in plastic. The performances were always hit or miss but I have a nice nostalgia for all those discs in my collection.

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Emily Sachs – President – Manka Music Group (A division of Manka Bros. Studios – The World’s Largest Media Company)

 

Beethoven – Sonatas for Violin and Piano – No 5 Spring and No 9 Kreutzer

Manka Bros., Khan Manka, Emily Sachs, Emily's Music Dump, Manka Music Group, Beethoven, Ludwig Van Beethoven, Piano Sonatas, Moonlight, Pathetique, Pastorale, Wilhelm Kempff, Wolfgang Lohse, Heinz Wildhagen, Hartmut Pfeiffer, Joan Chissell, Clementi, Dussek, Countess Giulietta Guicciardi, immortal Beloved, Rellstab, Cranz, Countess Therese von Brunsvik, Zino Francescatti, Robert Casadesus, Umberto Boccioni, Ted Bernstein, Woody Allen, Diane Keaton, Love and DeathLudwig Van Beethoven (1770-1827)

Sonata No. 5 for Violin and Piano in F Major, Opus 24, “Spring”

Sonata No. 9 for Violin and Piano in A Major, Opus 47, “Kreutzer”

Zino Francescatti, Violin; Robert Casadesus, Piano

Recorded in France (Sonata No. 5, 1961 – Sonata No. 9, 1958) (CBS Records)

ONE-SENTENCE REVIEW:

And the hits just keep on coming – ah, nice.

ORIGINAL LINER NOTES:

No liner notes on this budget disc but it’s such a pleasant recording you really don’t need to know anything about it – just sit back, get a glass of wine and relax.

TRACK LISTING:

  • 1-4: Sonata No. 5 in F Major for Violin and Piano, Opus 24 – “Spring”
  • 5-7: Sonata No. 9 in A Major for Violin and Piano, Opus 47 – “Kreutzer”

FINAL THOUGHT:

The easiest review I’ve had to do thus far. I like it. Whenever I hear this recording, I can’t help but think of the scene in “Love & Death” where Woody Allen and Diane Keaton play the opening strains of the Spring Sonata.

Manka Bros., Khan Manka, Emily Sachs, Emily's Music Dump, Beethoven, Triple Concerto, Classical Music, Piano Trio, Kakadu Variations, Bernard Haitink, Prince Lobkowitz, Anton Felix Schindler, Archduke Rudolph, Karl August Seiler, Anton Krafft, Moazart, Hugo Riemann, Thayer, Wenzel Mullers, The Sisters of Prague, Beaux Arts Trio, Manahem Pressler, Isidore Cohen, Bernard Greenhouse, London Philharmonic, Michael Talbot, Lothar Hoffmann-Erbrecht, Jacques Lasserre, Carlo Vitali, Bart Mulder, Christian Steiner, Ed Koenders, Estelle Kercher

Emily Sachs – President – Manka Music Group (A division of Manka Bros. Studios – The World’s Largest Media Company)