ABC – Page 3 – OnMedea

March 2, 2010April 6, 2011

Leno The King

Well, that didn’t take long. There will be lots of “I’m With Coco” and David Letterman supporters that will say “It was expected…”, “Everyone was just curious about the switch…”, “Jay has all those Olympians on the show…”

Whatever.

I write this not as a Jay Leno fan (far from it) – but as a practical person who looks at the numbers. As I said when there was a debate over whether NBC should keep Conan or Jay… of all the late night hosts on all the networks, Jay Leno is simply the one that more people want to watch. I’m not talking about “quality” or “educated” people here. I’m talking about more PEOPLE.

In his first night back in the 11:35pm time slot, Jay Leno destroyed the competition. The Tonight Show with Jay Leno got a 5.7/14 share; David Letterman (3.0/8 share); Nightline/Jimmy Kimmell Live (1.8/6 share). Tonight, Jay has Sarah Palin and Shaun White on the show. Who do you think will win?

I think Conan may want to avoid the direct competition and forget about Fox. I’m sure Fox executives are thinking the same thing today.

[Note to Jeff Zucker: These results are not because of your brilliance, they are in spite of your ignorance. The Olympics will lose over $200 million for your network and you won’t make that up with “The Marriage Ref” or “Parenthood” ratings. You will be fired.]

Jill Kennedy – OnMedea

January 21, 2010April 7, 2011

Letterman vs. Leno

The Conan exit deal is done – probably the largest payout in television history for someone averaging a 2.5 rating.

It is presumed he will go to Fox and get a 2.0 rating at 11:00 (my guess is reruns of The Simpsons on local affiliates do better than that).

So, with apologies to Jimmy Kimmel, Jon Stewart, Stephen Colbert, George Lopez, Charlie Rose, etc., it comes down, once again, to Letterman vs. Leno.

Who will win the ratings battle (long-term) once they resume head-to-head competition March 1, 2010?

It’s very simple:
Jay Leno wins – without a doubt.

Here’s why:

DEMOGRAPHICS: Late night talk show viewers are not the Taco-Bell-eating slacker college students that most of these hosts think they’re ‘in touch with’. That demo is watching The Daily Show, Colbert, Adult Swim or they’re online or playing video games (maybe they’re not consuming any media and are out pounding drinks and, God willing, conversing with the opposite sex). So, older viewers are watching Jay and Dave – and older viewers prefer Jay. It’s warm and safe television with Headlines and Jaywalking. Dave is ‘too edgy’ for older America, even in his advanced years.

VACATION: Jay is notorious for working 46-48 weeks a year. Dave works… less than that. Even if Dave wins the first few weeks after Jay returns in March (as expected), Jay will pick up viewers once Dave goes on his first long vacation.

WORK ETHIC: While I am not doubting that Dave works very hard to put on his show four nights a week, Jay is indefatigable. He always seems to be out with the public, doing stand-up, corporate events, car shows… almost anything the network asks him to do. Jay has a high visibility factor that Dave… doesn’t have. (Not that you need that to succeed – Johnny Carson was a painfully shy recluse and did just fine.) However, when you’re trying to win back the hearts and minds of your viewers, being visible with “your public” can go a long way.

HISTORY: Jay Leno has been a consistent ratings winner for 17 years. Yes, bad press and public sentiment has damaged that but most of Jay’s fans could care less about ‘The Tonight Show’ debacle (though, I think everyone would love to see Jeff Zucker get fired).

Finally, Jay spent 20 years in comedy clubs across the country before getting ‘The Tonight Show’ and he cut his teeth in that ruthless, back-stabbing world. If he survived the shit that went on in those clubs, he can survive almost anything.

Dave did quite a bit of stand-up in the 1970s, yes, but never really immersed himself into that world. Being a great comic was not on his radar. He has always been perceived (as he wished) as a TV guy.

Jay is a comic first and a TV guy next – which is why his fans keep watching – they simply want to hear jokes on ‘The Tonight Show’ told by a comic and not just a “funny person” doing bits.

Jill Kennedy – OnMedea

P.S. – Where were all these new Conan fans when he really needed them – over the summer when he started hosting The Tonight Show? If he had the ratings then that he has now – there is no controversy. Jay would be out and Conan would be in.

January 19, 2010April 8, 2011

Jay Leno and NBC: Damage Control Begins

OK. So Conan is gone. Jay is back at 11:35. What’s next? Damage control.

Over the next few weeks, we can expect to see NBC Universal’s ‘A Team’ of publicists begin the seemingly impossible task of resuscitating the images of Jay Leno, The Tonight Show and NBC.

The Winter Olympics couldn’t have come at a better time to provide a necessary distraction – and it allows NBC Universal’s corporate publicists an extra two weeks to rebuild NBC’s shattered image.

So, here’s what needs to be done:

Step 1: Jeff Zucker must be fired. Regardless of what really happened behind the scenes, his name is synonymous with the total failure of NBC and it is perceived by the public that he is the main reason the Conan/Jay issue became such a mess. The fact that he actually believed the best way to handle the situation was to attack Conan O’Brien illustrates his complete inability to manage a crisis.

This is not someone that Comcast needs at the top of the new company to be formed and it’s, frankly, not someone that anyone needs (unless he wants to go join his buddy Ben Silverman in his soon-to-be failed company – Electus). That would be fine with me.

Step 2: Provide tons of food aid to Haitian earthquake victims (with the optional The Tonight Show With Jay Leno branding on each bag). It’s hard for late night comedians to make fun of someone who is providing real help to people in desperate need.

Step 3: Develop really good / meaningful shows and stick with them even if the ratings aren’t there. While this may result in lower profits in the short-term, NBC needs to convince viewers that they are capable of producing quality entertainment and don’t just make crappy shows about who can lose the most weight.

That’s it. Jay will go back on at 11:35 and will most likely become #1 again in a month or so. Major stars will not boycott Jay because the late night shows are vital to the promotion of their upcoming films and television series.

Sure, right now everyone is on Conan’s side but once Tom Hanks and Julia Roberts have films to promote, they’ll be right there back on Jay’s couch. Without a doubt.

If these steps are taken, NBC should be in a pretty good position when they announce their fall 2010 shows at the May upfronts.

However, if Step 1 is ignored – all bets are off.

Jill Kennedy – OnMedea

January 14, 2010April 11, 2011

Jeff Immelt, Brian Roberts: Jeff Zucker Has Got To Go

ABC, Angela Bromstad, Ari Emanuel, Barry Diller, Ben Silverman, Beverly Hills Hotel, Brian Roberts, CBS, Comcast, Conan O'Brien, CSI: NY, Dawn Ostroff, Deadline Hollywood, Dick Wolf, Eastwick, ER, GE shareholder, Gossip Girl, Jay Leno, Jay Leno has Failed, Jay Leno ratings, Jeff Gaspin, Jeff Weiner, Jeff Zucker, Jeffrey Immelt, Jill Kennedy, Jimmy Fallon, John Ferriter, Julianna Margulies, Kate Gosselin, Khan Manka, Law & Order, Manka Bros., Marc Graboff, Nikki Finke, Octomom, OnMedea, Paul Telegdy, Peter Roth, Producers Caucus Panel, Sharon Waxman, Stop all the clocks..., TCA Winter Press Tour, Terry Semel, The CW, thewrap.com, W.H. Auden, Warner Bros., William Morris Endeavor

But this was ignored (granted, he may not even know OnMedea exists) and now it has become a PR disaster. Does he not see the total public support for Conan now that he is “the victim”? Not that Zucker gives a shit about public opinion – if he did, maybe NBC wouldn’t consistently be the #4 network.

Conan didn’t have to be “the victim”. He could have been portrayed as a “Wall Street bank” like Goldman Sachs or JPMorgan – who just got a $65 million payout bonus for doing no work.

Here’s a statement that should have been read two weeks ago: “We are canceling ‘The Jay Leno Show‘ and moving Jay back to ‘The Tonight Show‘ where he belongs – and where he was #1 for many years. Conan O’Brien has been a valuable member of the NBC family, but the ratings at 11:30 were not what we had hoped. However, we have made things right with Conan and paid out his contract – $65 million – and wish him luck wherever he may go next.”

Done.

But no, team Zucker (which includes the newly-installed Jeff Gaspin… that press conference on Sunday was a textbook on how not to handle something) decided to insult Conan by giving the failed Jay Leno the coveted 11:35pm time slot (a decision I agree with from a ratings / business standpoint) and asking Conan to move back to 12:05am. Conan should have been let go (the ratings WERE bad) and he should have been given HIS FULL PAYOUT. Simple. No PR disaster.

Now that little Zucker has insulted Conan AGAIN by saying he will keep him off the air for 3 1/2 years because “he failed to live up to his promise to me.” Are you fucking kidding me? Basta!

So… Jeff Immelt and Brian Roberts – as a GE and Comcast shareholder – I would ask that you please end this ridiculous, horribly managed crisis by firing Jeff Zucker – not when the Comcast acquisition goes through – now.

January 11, 2010April 12, 2011

Jeff Gaspin – What The Hell Was That?

The Jay Leno Show cancellation announcement by Jeff Gaspin – Chairman NBC Entertainment – was handled in just about the worst way possible. It should have so simple: Announce the news; admit it was mistake and talk about the exciting changes to come. That’s it.

Instead, Jeff Gaspin’s announcement at the TCA Winter Press Tour was a stunning display on how not to do something. He was defensive (even blaming other parts of the company) and basically said he didn’t really know what they were going to do next.

Let’s break down the key quotes:

Gaspin: “I would have liked nothing more than to give this (The Jay Leno Show) a 52-week try.” (You’re the freakin’ Chairman of NBC Entertainment – don’t you have the power to give it a try for as long you’d like no matter who is against it? Especially if you would have ‘liked nothing more’?

Gaspin: “This was not an issue for the network…” (No, of course not, NBC kicks ass! Fourth place ass. But it still kicks ass!)

Gaspin: “… it was an issue for our affiliates.” (That’s it, blame another part of your company. One great leadership trait is knowing whom should be blamed in a time of crisis.)

Gaspin: “We were making money at 10 p.m. I think, over time, (‘Leno’s’ ratings) might have started to grow. For the network, it was not yet a wrong decision.” (You really went out on a limb on that one. ‘It was not yet a wrong decision?’ What the fuck is that? Come on, Jeff, just say ‘Yes, it was the wrong decision. We failed but we’re going to fix it.’ The culture at NBC has got to change. When the Chairman of the company is afraid of accountability, what hope is there for the rest of the executive team?)

So, Jeff, was “Leno” a mistake?

Gaspin: “I don’t think it’s wrong to take chances. We might have been too early on this one.” (Ah, I see… you’re just ahead of your time. The world is not ready for the bold programming choices coming from NBC. The world is not ready for a powder puff monologue followed by lame celebrity interviews at 10pm. Fight on, lone ranger, one day the world will catch up to your vision.)

You want to know how to avoid a “PR Issue”, Jeff – nut-up and take the blame for a mistake. Obviously, your boss Jeff Zucker is too much of a wimp to acknowledge failure. As I said in October, it’s a stupid TV show that didn’t work – it’s not that big of a deal. It was a programming choice that didn’t work. Simple as that.

Now, get out there and make the best “Law & Order” spin-off that you can.

Godspeed, Jeff Gaspin.

Jill Kennedy – OnMedea

November 23, 2009April 21, 2011

White Male Disney Executives Embrace Women

Ari Emanual, Bob Iger, Bob Zemeckis, Claudia Eller, Dawn Chmielewski, Dick Cook, Disney, Jeff Weiner, Jeremy Zimmer, Jerry Bruckheimer, Joe Roth, John Travolta, Johnny Depp, Kara Swisher, Khan Manka, Manka Bros., McG, Nikki Finke, Pixar, Rich Ross, Richard Ross, Robin Williams, Sam Gores, Sandra Bullock, Sharon Waxman, Stacey Snider, Steven Spielberg, Terry Semel, thewrap.com, Tim Burton, Walt Disney Studios

Apparently, Rich Ross has had an epiphany: Women like movies.

According to the Los Angeles Times (and I’m paraphrasing/ reading between-the-lines), Rich Ross has told (male) literary agents at (male) literary agencies (who represent [male] literary writers), that (Walt) Disney Studios would like to produce more films that appeal to women.

It must have been one of those ‘flux capacitor’ moments for Rich Ross and got me wondering about how genius manifests itself. I mean, thoughts this brilliant don’t just come along every day.

So in my own inferior mind, I began to wonder how the scene must have played out in Bob Iger’s office (or wherever it occurred) and believe it happened like this:

Bob Iger, in sweaty shorts and a T-shirt is slamming racquetballs against the giant windows of his office (the one with the Seven Dwarfs outside).

Intercom: Mr. Iger, your nephew, Richard Ross, is here to see you.

Bob Iger: He’s not my nephew. Send him in.

Richard Ross enters.

Rich: Uncle Bob, I want to run something by you.

Bob: Rich, I’m not your uncle.

Rich: We can play it that way. I’m hip to that.

Bob: What’s on your mind?

Rich: Women.

Bob: Really? You? Explain.

Rich: I think we need to make movies that appeal to women. Kagan recently did a study that came to the conclusion that women actually go to movies. That they actually… enjoy movies.

Bob: You mean like Pirates of the Caribbean and Walt Disney’s A Christmas Carol?

Rich: I mean like Twilight and Sandra Bullock movies.

Bob: Jesus Christ. What the fuck are you saying to me?

Rich: I’m saying we need to get together with some of the top male screenwriters and producers in Hollywood and come up with the next generation of “Twilights” and “Sandra Bullock” movies. In order to survive, we need to tap more women.

Bob: Then do it. You have my full support.

Rich: Thanks, Bob.

Bob: Uncle… Bob.

Rich smiles and leaves.

That may not have been exactly the way it played out – but the end result will be films manufactured by men that attempt to appeal to women that do nothing but turn women off.

My advice to Disney: Pirates of the Caribbean 4. Appeal to women when you have a good story to tell, not by turning a “John Travolta” script into a “Sandra Bullock” script.

Jill Kennedy – OnMedea

September 21, 2009May 2, 2011

It’s Time To Kill The Emmys

61st Annual Emmy Awards, ABC, Angela Bromstad, Anne Sweeney, Ari Emanuel, Ben Silverman, CBS, Chris O'Donnell, Dawn Ostroff, Deadline Hollywood, Don Mischer, Dr. Horrible's Sing-Along-Blog, Family Guy, Fox, Jeff Weiner, Jill Kennedy, Khan Manka, Les Moonves, LL Cool J, Manka Bros., NBC, NCIS: Los Angeles, Neil Patrick Harris, Nikki Finke, OnMedea, Paul Telegdy, Sandy Grushow, Seth McFarlane, Sharon Waxman, Terry Semel, The CW, The Simpsons, thewrap.com

Frankly, no one gives a shit anymore. Last night’s show was painful.

A tour of the set? Seriously? Matthew Weiner, creator of Mad Men, is unable to give an acceptance speech for winning Best Drama because there was a five minute TOUR OF THE SET at the beginning of the show? “Where we will all be spending the next three plus hours!”

The opening number from the Academy Awards winning for Best Musical Number? Best Musical Number?

That painfully long Family Guy bit with the baby killing the dog (full disclosure – I’m a Simpson’s girl and think Family Guy sucks so I probably wouldn’t have liked even if it were short and funny).

There there was bit-after-painful-bit about the demise of television. Television, the way it was in 1979 is dead – TELEVISION ISN’T DEAD! What else are we supposed to do to pass the time on this miserable planet? We like the internet, we like television, we like movies, we like going out to dinner, we like talking on the phone, we like working out, we like going to the park with our kids, we like going to Disneyland… just because we spend a few hours less watching TV doesn’t make it the end of the world!

I know there is a lot of insecurity in this town and a very strong need to give each other awards. But would the programming change if there wasn’t Emmy Awards? Are the actors from NCIS: Los Angeles relevant in any way? Was an appearance by the Gossip Girls a way to reach out to 15 year olds? As an experiment, Television Academy, why don’t you put next year’s awards on the Disney Channel and see how many young girls you get to watch… But that would never happen because the Emmys are much too prestigious for that.

I know the old white executives want it to be 1979 again when the television audience apparently actually cared if M*A*S*H would win or lose – but those days are gone.

It’s over. Kill it already. Every year it sucks and every year we watch. Over half that crowd (i.e., the late night comedy show writers), wanted to be watching the Giants/Cowboys game on NBC. Myself included.

Jill Kennedy – OnMedea

August 31, 2009April 29, 2011

Disney Buys Marvel!

Alan Fine, Ari Emanuel, Bob Iger, David Maisel, DC Comics, Deadline Hollywood, Disney, Isaac Perlmutter, Jeff Bewkes, Jeff Weiner, Jill Kennedy, John Turitzin, Kenneth P. West, Khan Manka, Manka Bros., Marvel, Marvel Comics, Nikki Finke, OnMedea, Sharon Waxman, Simon Philips, Terry Semel, Walt Disney Company

My spidey senses nailed this one. Friday I said it would happen – and now it is so!

My colleage Nikki Finke loves to say “TOLDJA” – but she didn’t get this one!

In a deal that shocked everyone in the industry except me, Disney today announced it will purchase Marvel Entertainment – the total value about $50/share or $4 billion for company.

Here’s the press release:

DISNEY TO ACQUIRE MARVEL ENTERTAINMENT

Worldwide leader in family entertainment agrees to acquire Marvel and its portfolio of over 5,000 characters

Acquisition highlights Disney’s strategic focus on quality branded content, technological innovation and international expansion to build long-term shareholder value

Burbank, CA and New York, NY, August 31, 2009 –Building on its strategy of delivering quality branded content to people around the world, The Walt Disney Company (NYSE:DIS) has agreed to acquire Marvel Entertainment, Inc. (NYSE:MVL) in a stock and cash transaction, the companies announced today.

Under the terms of the agreement and based on the closing price of Disney on August 28, 2009, Marvel shareholders would receive a total of $30 per share in cash plus approximately 0.745 Disney shares for each Marvel share they own. At closing, the amount of cash and stock will be adjusted if necessary so that the total value of the Disney stock issued as merger consideration based on its trading value at that time is not less than 40% of the total merger consideration.

Based on the closing price of Disney stock on Friday, August 28, the transaction value is $50 per Marvel share or approximately $4 billion.

“This transaction combines Marvel’s strong global brand and world-renowned library of characters including Iron Man, Spider-Man, X-Men, Captain America, Fantastic Four and Thor with Disney’s creative skills, unparalleled global portfolio of entertainment properties, and a business structure that maximizes the value of creative properties across multiple platforms and territories,” said Robert A. Iger, President and Chief Executive Officer of The Walt Disney Company. “Ike Perlmutter and his team have done an impressive job of nurturing these properties and have created significant value. We are pleased to bring this talent and these great assets to Disney.”

“We believe that adding Marvel to Disney’s unique portfolio of brands provides significant opportunities for long-term growth and value creation,” Iger said.

“Disney is the perfect home for Marvel’s fantastic library of characters given its proven ability to expand content creation and licensing businesses,” said Ike Perlmutter, Marvel’s Chief Executive Officer. “This is an unparalleled opportunity for Marvel to build upon its vibrant brand and character properties by accessing Disney’s tremendous global organization and infrastructure around the world.”

Under the deal, Disney will acquire ownership of Marvel including its more than 5,000 Marvel characters. Mr. Perlmutter will oversee the Marvel properties, and will work directly with Disney’s global lines of business to build and further integrate Marvel’s properties.

The Boards of Directors of Disney and Marvel have each approved the transaction, which is subject to clearance under the Hart-Scott-Rodino Antitrust Improvements Act, certain non-United States merger control regulations, effectiveness of a registration statement with respect to Disney shares issued in the transaction and other customary closing conditions. The agreement will require the approval of Marvel shareholders. Marvel was advised on the transaction by BofA Merrill Lynch.

Investor Conference Call:

An investor conference call will take place at approximately 10:15 a.m. EDT / 7:15 a.m. PDT today, August 31, 2009. To listen to the Webcast, turn your browser to http://corporate.disney.go.com/investors/presentations.html or dial in domestically at 800-260-8140 or internationally at 617-614-3672. For both dial-in numbers, the participant pass code is 51214527.

The discussion will be available via replay on the Disney investors website through September 14, 2009 at 7:00 PM EDT/4:00 PM PDT.

About The Walt Disney Company
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, interactive media and consumer products. Disney is a Dow 30 company with revenues of nearly $38 billion in its most recent fiscal year.

About Marvel Entertainment, Inc.
Marvel Entertainment, Inc. is one of the world’s most prominent character-based entertainment companies, built on a library of over 5,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in licensing, entertainment (via Marvel Studios and Marvel Animation) and publishing (via Marvel Comics).

———————————

I think it’s a great deal for Disney. Great for owners of IP in general. It puts a premium on content creation and content ownership. Bully for you, Bob Iger! Electronic Arts is next and then you guys are all set.

Jill Kennedy – OnMedea

August 1, 2009April 28, 2011

Disney/Pixar Stickers

Here’s a simple request for all the lawyers and senior executives at the Happiest Place On Earth. Can you please keep your meathooks and your legalese off of my kid’s Disney/Pixar sticker book? It’s a freakin’ STICKER BOOK for Christ’s sake!

Do we really need “Copyright Disney/Pixar” on every single fucking sticker? There are about 200 stickers to a page and every tiny little sticker has “Copyright Disney/Pixar” on it.

For the good of the planet, save a few million gallons of ink!

Do you think the pirates out there making counterfeit stickers aren’t able to replicate your brilliant attempt at control of your intellectual property?

It’s not necessary. Nobody gives a shit.

Viacom doesn’t plaster a copyright notice all over Dora the Explorer and they’re selling a hell of a lot more stickers. And Manka Bros. doesn’t touch their Animaltered stickers.

I know it may seem like a stupid request – but I know there were way too many corporate and lawyer meetings about that copyright notice – and it’s an unbelievable waste of time.

Jill Kennedy – OnMedea