Hollywood Gossip – Page 3

May 12, 2011May 12, 2011

All The Facebook’s Men

1000Memories, Accel Partners, Amish Jani, Andrew Hyde, Andrew Mason, Andy Sack, Ashton Kutcher, Aydin Senkut, Ben Silverman, Bin 38, Bob Davis, Bob Iger, Brad Feld, Brian Kempner, Chris Hughes, Christopher Steiner, Dan Nova, Daniel Gaisin, Danielle Hootnick, Dave McClure, David Brown, David Cohen, David Kirkpatrick, Demi Moore, Demo Day, Diego Gutierrez, Dustin Moskovitz, Edmond Yue, Eduardo Saverin, Emmett Shear, Eric Lefkofsky, Fergal Mullen, FirstMark Capital, Founders At Work, Francis Duong, Gaurav Tewari, Gerald Levin, Gerald Poch, Greg McAdoo, Greylock Partners, Harjeet Taggar, HBO, Highland Capital Partners, Irena Goldenberg, Jared Polis, Jeff Bewkes, Jeff Weiner, Jeff Zucker, Jessica Livingston, Jessica Mah, Jill Kennedy, Joanna Shields, John Hsin, John Palfrey, Jon Miller, Jr., Justin Kan, Justin.tv, Khan Manka, Larry Wilson, Laurence Albukerk, Lawrence Lenihan, Li Ka-shing, Loopt, Manish Patel, Manka Bros., Mark Cuban, Mark Zuckerberg, Matt Cohler, Matt Nichols, Michael Arrington, Michael Gaiss, MySpace, Nick Marsh, Nicolas Carlson, OnMedea, Owen Van Natta, Paul Buchheit, Paul Cianciolo, Paul Graham, Peter Bell, Peter Thiel, Reddit, Richard de Silva, Richard Heitzman, Rick Heitzmann, Robert Morris, Ron Conway, Rudy Adler, Rupert Murdoch, Sand Hill Road, Scott Shane, Scott Switzer, Sequoia Capital, Sergey Nazarov, Shabbir Dahod, Shawn Broderick, Sheryl Sandberg, Sterling Phillips, Sumner Redstone, Tapzilla, TechCrunch, TechStars, TextPayMe, Toy Story 3, Trevor Blackwell, Y Combinator, google, Eric Schmidt, Tina Brown, The Daily Beast, Barry Diller, Dan Lyons, Google Smear campaign, Burson-Marsteller, Chris Soghoian, Jim Goldman, John Mercurio,

As soon as I read The Daily Beast story about Facebook’s alleged smear (whisper) campaign against Google, I immediately thought of the scene in “All The President’s Men” with all the newspaper editors sitting around deciding which stories to run the next day.

When Watergate is brought up, there is stiff resistance from a couple of the editors.

This scene (replacing ‘Watergate’ with ‘Facebook’) could easily have played out at The Daily Beast with the change of a few words in the screenplay:

INT. THE DAILY BEAST – BUDGET MEETING

SEXY BEAST EDITOR: Let me tell you what happened when I was having lunch today at Locanda Verde–

TINA BROWN: Correction – when you were drinking your lunch at the bar of Locanda Verde–

The room erupts in laughter.

SEXY BEAST EDITOR: –this Facebook guy, a good one, a pro, came up and asked what is the “Google smear” compulsion with you guys and I said, well, we think it’s important and he said, if it’s so goddamn important, who the hell is Dan Lyons?

INNOVATION EDITOR: Fake Steve Jobs for one – but I digress. Ask him what he’s really saying – he means to take the story away from Dan Lyons and give it to his people at the Sexy Beast.

SEXY BEAST EDITOR: Well, I’ve got some pretty experienced people sitting around, wouldn’t you say so?

INNOVATION EDITOR: Absolutely, and that’s all they do, sit sit sit – every once in a while they reprint Michael Arrington, some reporting–

SEXY BEAST EDITOR: Well, what if Dan Lyons get it wrong–

TINA BROWN: Then it’s Barry Diller’s ass, isn’t it? And we’ll all have to go work for a living.

The room clears, only a couple of Editors and Tina Brown stay behind:

SEXY BEAST EDITOR: I don’t think we should cover this story, period.

TINA BROWN: Go on.

SEXY BEAST EDITOR: It’s not that we’re using unnamed sources that bothers me, or that everything we print Facebook denies.

TINA BROWN: What then?

SEXY BEAST EDITOR: I don’t believe the goddamn story, Tina, it doesn’t make sense.

TINA BROWN: It will, it just hasn’t bottomed out yet, give it time.

SEXY BEAST EDITOR: Look, why would Facebook do it? My God, Google is self-destructing before our eyes – just like MySpace did, Friendster, the bunch of ’em. Why would Burson-Marsteller send emails to bloggers urging them to write negative stories about Google, unless they wanted to get caught? Why would Burson go to Politico, The Washington Post and The Huffington Post, unless they wanted to get caught?

TINA BROWN: Are you saying Google started a whisper campaign against itself?

SEXY BEAST EDITOR: Jill Kennedy at OnMedea thinks it’s possible – Google needs some positive press, corruption’s always a good one. Get off the story, Tina – or put some people on Google’s public relations team – fair is fair, even in our business.

—————————————-

Hey, we’re early enough in this conspiracy where all theories are in play.

Jill Kennedy – OnMedea

Click here to read the scene from the original script of “All The President’s Men”

May 4, 2011February 1, 2017

The Huffington Post Is Dead – R.I.P.

Manka Bros., Khan Manka, Arianna Huffington, Eric Hippeau, Roy Sekoff, Jai Singh, Thomas B. Edsall, Willow Bay, Daniel Froomkin, Nico Pitney, Colin Sterling, Ashley McAdams, Ryan Grim, Howard Fineman, Peter Goodman, Anya Strzemien, Danny Shea, David Flumenbaum, Kimberly Brooks, Cara Parks, Alan B. Elias Kornfeld, Katy Hall, Sara Wilson, Adam Rose, Marcus Baram, Jonah Green, Jennifer Sabella, Ethan Axelrod, Amy Hertz, Bianca Bosker, Leah Finnegan, Whitney Snyder, Billy Silverman, Kate Auletta, Paul Raushenbush, Ben Craw, Nicholas Graham, David Weiner, Mark Blumenthal, Emily Swanson, Russell Bishop, Dr. Patricia Fitzgerald, Dan Collins, Simon Johnson, Dean Ornish, Lloyd I. Sederer, Susan Blumenthan, David Katz, Mary Kyman, Rachel Naomi Remen, Mark Smith, Michael Roizen, Janet Taylor, William Sears, Elyse Siegel, Ryan McCarthy, Jeff Muskus, TJ Ortenzi, Alexander Belensy, Carly Schwartz, Clay Chiles, Meghan neal, Hilary Moss, Katla McGlynn, Michael Klopman, Jack Mirkinson, Travis Donovan, Stuart Whatley, Matt Sledge, Derstin Picht, Sebastian Howard, Grace Kiser, Lila Shapiro, Gazelle Emami, Hallie Seegal, Jason Linkins, Sam Stein, Arthur Delaney, Amanda Terkel, Shahien Nasiripour, Chris Kirkham, Laura Bassett, Nicholas Wing, William Alden, Amy Lee, Craig Kanalley, Rob Fishman, Rebecca Harrington, Hunter Stuart, Nora Ephron, Greg Coleman, Phil Cara, Andy Wiedlin, Taylor Gray, Sam Figler, Peter Cherukuri, Terry City, Brian Kaminsky, Hanna Volkman, Cindy Murphy, Marc Walker, Marcia Greenblatt, Laura Krebill, John Shankman, Lauri Baker, Jennifer Carroll, Robert Schmerler, Jennifer Cherniske, Mandy MacKay, Stephanie Barolomeo, Mehmet Cereb, Adam Gross, Rachel Taxman, Lindsey Rempell, Julia Steers, Daniela Perdomo, Camille Norris, Maeve Kennedy, Victoria Wright, Morgan Holland, Lindsay Warren, Stephane Bejhar, Sophie Dabuzhsky, Diana Smith, Trey Green, Michael Macher, Paul Berry, Cindy Jeffers, Sandeep Chayapathi, Theo Burry, Ben Regenspan, Travis Morrison, Mike Sparks, Jim Bartus, Rich Ochoa, Rodrigo Garcia, Amanda Chan, Mari Ruiz, Eric Ashman, Chris Davis, Ellen Shell, Alex Maccallum, Jackie Greaney, Melaine Fuentes, Sharon Dhanraj, MIranda Cheng, Scott Hoos, Mike Cardarelli, Patty Elvey, Jeff Swafford, Lorraine Baker, McCall Marshall, Kathleen Kane, Rachel Truong, Jonah Peretti, OnMedea, Jill Kennedy, World's Largest Media Company, Tim Armstrong, Kathy Andreasen, Jon Brod, Ned Brody, Brad Garlinghouse, Alexander Gounares, Lauren Hurvitz, Jared Grusd, Julie Jacobs, Jeff Levick, Artie Minson, Maureen Sullivan, Alberto Ibarguen, James Stengel, Fredric Reynolds, Michael Powell, Patricia Mitchell, Susan Lyne, Karen Dykstra, Richard Dalzell

You had a really great thing going, Arianna.

The Huffington Post was one of the more exciting and visually striking destination sites on the Internet. There was a fantastic sense of community – a “we’re-all-in-this-together” kind of feeling that will be nearly impossible to replicate anywhere else.

Whenever I went to the Huffington Post (before the buy-out), I could literally see the hustle and the bustle (new stories posted by the minute with user comments multiplying before your eyes).

You rallied and recruited celebrities and experts who blogged about subjects that were important to them. So important they didn’t want or need to be paid. Huge communities sprung up overnight on hundreds of topics. It was an amazing success story.

But it’s gone.

You cashed out.

You became an employee of AOL. AOL? One of the most hated brands in the world.

When I go to the Huffington Post now, the excitement is gone.

Topics have been slashed. HP content is painfully lacking in any kind of passion. The only interesting things to read are those that are reposted (some say stolen) from other websites.

You alienated those that meant the most to you – the celebrities and citizen bloggers – because you couldn’t share the wealth. You became irrelevant and for what? $315 million (for which, reports say, you received $18 million). You were already rich. Was it worth that extra $18 million to become irrelevant?

Dumb question. We all need an extra $18 million. But politically you are nothing now – just another rich person on the cocktail party circuit (which may have been all you wanted anyway).

As for AOL… there’s really nothing to say. It will always be AOL. And that’s who you work for, Arianna.

I guess if things really go into the shitter, you can always write columns for the Brentwood Patch.

Jill Kennedy – OnMedea

October 20, 2009April 25, 2011

TheWrap.com Blows The Lid Off Nookie

Seriously, Sharon?

Are you f-ing kidding me?

This is why TheWrap.com is necessary? “Sex On The Set, Part 2: How Fake Is It, Really” – a story so probing, so important, so searing that it needs TWO PARTS!

When I punched up TheWrap.com this morning (to see what stories Deadline Hollywood had broken earlier) and saw in giant 32+ point type “Sex On The Set, Part 2: How Fake Is It Really?”, my immediate reaction was Albert Brooks’ reaction in Broadcast News while he is watching a fluff piece that William Hurt put together.

“Can we turn on the news?”, he says. “Sorry… sex, tears… this must be the news.” Later, he adds: “You really blew the lid off nookie.”

With stories like these and upcoming headlines like “Actors Who Adopt ShowBiz Pets” and “Which Models Have Veneers And Which Have Caps”, Sharon Waxman (along with “Sex On The Set” writer Gina Piccalo) have fulfilled TheWrap.com’s mission as a “primary news source focused on the business of entertainment and media” and are well on their way to becoming THE HOLLYWOOD SOURCE FOR… WHATEVER DRIVES TRAFFIC!

Jill Kennedy – OnMedea

October 8, 2009April 26, 2011

Andrew Lloyd Webber’s Love Never Dies

“LOVE NEVER DIES”? That’s the name of the sequel to the Phantom of the Opera?

You mean “Love Never Dies” like the tag line to Francis Ford Coppola’s 1992 movie “Dracula” starring the great Keanu Reeves doing one of the worst British accents in the history of film? “Love Never Dies” like that?

Taking a title from a movie tag line never works. Does anyone remember “Love Is In The Hair…” the musical version of “There’s Something About Mary”? No! Because no one was that stupid.

Look, I’m not here to scream fire in a crowded theater and ruin your billion-dollar party. I’m a musical fanatic and know by heart just about every song Lord Webber has put in a show (and count Aspects Of Love as my favorite – so how crazy am I?)… but come on ALW!

THE PHANTOM IS NOW GOING TO HAUNT CONEY ISLAND?! Are you fucking kidding me?!

Why the fuck would Christine Daae even take a gig at Coney Island? Why the fuck would you hire the SISTER ACT lyricist to do LOVE NEVER DIES?!

I have plenty of more ‘Why the fucks…?’ but I’ll cut it off right there and just say – please prove me wrong, Lord Webber, but this has ‘disaster’ written all over it.

Seriously, I haven’t heard this bad of an idea for a musical since Manka Bros. announced they were adapting “Rampage Of The Stegosaur” for Broadway!

Lord Webber, if you’re so insistent on putting a ridiculous premise like that out there (and you wrote it) then all this show deserves is a joke title – something like:

The Phantom Goes West
Yankee Phantom
Coney Island Ghost (I believe ALW actually wanted to call it The Phantom of Coney Island – or something horrible like that)
Christine Daae’s A Little Whore (Thanks to Shane the intern. He says it’ll work in Vegas.)
Coney Opera
The Phantom 2: Life’s A Beach
Etc.

So, “Love Never Dies” by Lord Webber bows in London on March 9, 2010 (with a most-likely closing date after the summer 2010). I’m sure there will be enough Phantom phanatics to justify a decent run – but Lord Webber doesn’t take bad reviews and slowing box office lightly (i.e., The Woman In White). And this musical is destined for bad reviews and slowing box office.

Good luck to you and your soon to be crestfallen cast.

Jill Kennedy – OnMedea

P.S. – Please don’t have them sing a song on the Coney Island Roller Coaster. I don’t want to see The Phantom and Christine circle the theater in a roller coaster singing a love ballad. Please.

October 1, 2009April 29, 2011

Comcast Acquires NBC Universal?

“COMCAST DENIES A DEAL IS DONE, BUT DOES NOT DENY TALKS.” Are you really fucking kidding me, Sharon?

So this is the way it’s going to be? Semantics.

Everyone in the world with a blog could report anything (anything) and find a way to call it a true story.

My five-year-old daughter could tell me she knows where Iran is hiding a nuclear bomb and I could report: “A trusted source tells me that Iran is hiding a nuclear bomb in a closet in La Canada.” I do consider my daughter to be “trusted”. She’s the “source”. Iran would come out immediately and call the story “inaccurate” – but I wouldn’t be a liar.

I’m stunned that nobody calls bullshit on a story that mentions quite a few details about a deal that is far from complete.

Yet nobody calls Sharon Waxman at TheWrap.com a liar. Semantics. Or… I suppose, because nobody really cares. TheWrap.com got everything it needed from this story. National exposure. Who cares if it’s “inaccurate”? That’s not the point.

Comcast and GE get everything they want out of the story – a test of the market to see what the rumor, if true, would do to their stock prices.

Even so, it’s absolutely ridiculous.

“Comcast is in talks to buy the entertainment giant NBC Universal from General Electric… ACCORDING TO KNOWLEDGEABLE INDIVIDUALS.” WTF does that mean? I consider myself to be a “knowledgeable individual” – does that mean I could have been a source even if I didn’t know about the meeting?

“Deal points were hammered out…EXECUTIVES FAMILIAR WITH THE MEETING SAID.”

Who are these “Knowledgeable Individuals” and “Executives Familiar With The Meeting” – and why the fuck are they talking to TheWrap.com?

Are “Sources” protected in online journalism? What kind of a crazy-fucking world is it when Nikki Finke is the reserved one in a big entertainment business story like this? Maybe it’s because she didn’t break the story and would love to see it discredited. Actually, not “maybe” – I’m sure she wants to see it discredited.

The biggest surprise of all is that nobody is calling bullshit or lies lies lies. In today’s journalistic environment, that means the story is, most likely, true. And if I had the chance and “sources” to break this story, I would have done the same thing.

Jill Kennedy – OnMedea

September 14, 2009April 29, 2011

Jay Leno’s Big Night

Angela Bromstad, Ari Emanuel, Ben Silverman, Deadline Hollywood, Grace Kelly, Gregorian Calendar, Jay Leno, Jeff Weiner, Jeff Zucker, Jeffrey Immelt, Jill Kennedy, Khan Manka, Manka Bros., National Cream Filled Donut Day, NBC, NFL Monday Night Football, Nikki Finke, OnMedea, Paul Telegdy, Sharon Waxman, Terry Semel, The Jay Leno Show, thewrap.com, Tony Disanto

Tonight is either beginning of the end of NBC or the beginning of a new television business model.

I’m betting BIG on the former.

It will be interesting to follow The Jay Leno Show’s ratings for about a week and then the media will become bored reporting that Jay’s numbers were, once again, 5.3 with a 7 share (2.3 / 4 18-49).

But at least for tonight, it’s interesting.

All I can say is – Good Luck, Jay. You’ll still be a rich and successful man even though you are now the face of dying network.

(In truth, broadcast networks are already dead… but I digress.)

My predictions on how the NBC promotions department will spin tomorrow’s ratings:

Remember, this is a marathon, not a sprint.

Because of the low production costs, we don’t need home run ratings to make a big profit.

Considering Jay was opposite the premiere of Monday Night Football, he did very well.

Obviously, we were hoping for a much bigger number, but we firmly believe that the audience will grow once kids have adjusted to returning to school.

Even though it was National Cream Filled Donut Day, we posted very strong numbers.

If we would have known this was the date that Grace Kelly died in a car crash (in 1982), we probably would have waited to premiere Jay’s show.

There may have been some confusion by those people who haven’t adapted to the Gregorian calendar.

Once again, good luck Jay. You’re in a no win situation.

Jill Kennedy – OnMedea

September 4, 2009April 29, 2011

Nikki Finke’s New Business Strategy Will Fail

Ari Emanuel, Deadline Hollywood, deadline.com, Hollywood gossip, Jeff Bewkes, Jeff Weiner, Jill Kennedy, Khan Manka, Manka Bros., Nikki Finke, OnMedea, Sharon Waxman, Terry Semel, The Wrap, TheWrap.com, Time Warner

Dear Nikki,

Your new business strategy will fail. This morning, a new (unremarkable) web design was revealed along with a new address (Deadline.com) and it is a disappointment. A disappointment to all us bomb throwers out there who are just trying to make a buck with salacious stories about other people’s lives.

I say it’s a disappointment because DHD is a straight-out-of-bed must read for nearly everyone in the business of media. You should resist the urge to turn it into something more than it is.

I don’t understand why people in this industry find it difficult to be content with success.

Nikki, you had an amazing one woman operation (terrible graphics and all – but it worked) with great inside sources, timely scoops and the freedom to say whatever the fuck you wanted.

That’s all going to change now.

You are attempting to become a corporation – a media conglomerate, if you will. You seem to fancy yourself one of those top media executives whose career you could bring down with one click of the “Publish” button. I fear those days are ending.

I believed you when you said nothing would change after being bought by Mail.com Media Corporation (I would have put a link of that last sentence to the blog you wrote after being bought – but it appears to be gone! See what I mean?).

Believe me, I’m not against buyouts. Manka Bros. doesn’t pay me shit and we all need capital to run a successful business. But now you’re opening offices (OK, hiring a couple bloggers in pajamas) in several other world cities under the “Deadline” brand. Plus, you talk about technical people and designers. Please. Can you look at the numbers and tell me that your free cash flow margin isn’t decreasing?

Do you seriously believe you’ll find other “Nikki Finke’s” in London, Hong Kong, Syndey, et al? What the fuck scoops are you going to get in Mumbai? There are plenty of great media muckrakers in that country. They don’t need you. There is only one Nikki Finke and paying other people to digg up fresh scandals in international territories isn’t going to work.

I’m going to miss the freshness, the immediacy and especially that feeling that we’re getting real inside dope.

But it’s not too late to change! Stay small and profitable. Don’t expand and be forced out of business in a year. Or worse, in a year, don’t attempt to go back to your old self in a pathetic display of “Well, I tried!”

Jill Kennedy – OnMedea

August 31, 2009April 29, 2011

Disney Buys Marvel!

Alan Fine, Ari Emanuel, Bob Iger, David Maisel, DC Comics, Deadline Hollywood, Disney, Isaac Perlmutter, Jeff Bewkes, Jeff Weiner, Jill Kennedy, John Turitzin, Kenneth P. West, Khan Manka, Manka Bros., Marvel, Marvel Comics, Nikki Finke, OnMedea, Sharon Waxman, Simon Philips, Terry Semel, Walt Disney Company

My spidey senses nailed this one. Friday I said it would happen – and now it is so!

My colleage Nikki Finke loves to say “TOLDJA” – but she didn’t get this one!

In a deal that shocked everyone in the industry except me, Disney today announced it will purchase Marvel Entertainment – the total value about $50/share or $4 billion for company.

Here’s the press release:

DISNEY TO ACQUIRE MARVEL ENTERTAINMENT

Worldwide leader in family entertainment agrees to acquire Marvel and its portfolio of over 5,000 characters

Acquisition highlights Disney’s strategic focus on quality branded content, technological innovation and international expansion to build long-term shareholder value

Burbank, CA and New York, NY, August 31, 2009 –Building on its strategy of delivering quality branded content to people around the world, The Walt Disney Company (NYSE:DIS) has agreed to acquire Marvel Entertainment, Inc. (NYSE:MVL) in a stock and cash transaction, the companies announced today.

Under the terms of the agreement and based on the closing price of Disney on August 28, 2009, Marvel shareholders would receive a total of $30 per share in cash plus approximately 0.745 Disney shares for each Marvel share they own. At closing, the amount of cash and stock will be adjusted if necessary so that the total value of the Disney stock issued as merger consideration based on its trading value at that time is not less than 40% of the total merger consideration.

Based on the closing price of Disney stock on Friday, August 28, the transaction value is $50 per Marvel share or approximately $4 billion.

“This transaction combines Marvel’s strong global brand and world-renowned library of characters including Iron Man, Spider-Man, X-Men, Captain America, Fantastic Four and Thor with Disney’s creative skills, unparalleled global portfolio of entertainment properties, and a business structure that maximizes the value of creative properties across multiple platforms and territories,” said Robert A. Iger, President and Chief Executive Officer of The Walt Disney Company. “Ike Perlmutter and his team have done an impressive job of nurturing these properties and have created significant value. We are pleased to bring this talent and these great assets to Disney.”

“We believe that adding Marvel to Disney’s unique portfolio of brands provides significant opportunities for long-term growth and value creation,” Iger said.

“Disney is the perfect home for Marvel’s fantastic library of characters given its proven ability to expand content creation and licensing businesses,” said Ike Perlmutter, Marvel’s Chief Executive Officer. “This is an unparalleled opportunity for Marvel to build upon its vibrant brand and character properties by accessing Disney’s tremendous global organization and infrastructure around the world.”

Under the deal, Disney will acquire ownership of Marvel including its more than 5,000 Marvel characters. Mr. Perlmutter will oversee the Marvel properties, and will work directly with Disney’s global lines of business to build and further integrate Marvel’s properties.

The Boards of Directors of Disney and Marvel have each approved the transaction, which is subject to clearance under the Hart-Scott-Rodino Antitrust Improvements Act, certain non-United States merger control regulations, effectiveness of a registration statement with respect to Disney shares issued in the transaction and other customary closing conditions. The agreement will require the approval of Marvel shareholders. Marvel was advised on the transaction by BofA Merrill Lynch.

Investor Conference Call:

An investor conference call will take place at approximately 10:15 a.m. EDT / 7:15 a.m. PDT today, August 31, 2009. To listen to the Webcast, turn your browser to http://corporate.disney.go.com/investors/presentations.html or dial in domestically at 800-260-8140 or internationally at 617-614-3672. For both dial-in numbers, the participant pass code is 51214527.

The discussion will be available via replay on the Disney investors website through September 14, 2009 at 7:00 PM EDT/4:00 PM PDT.

About The Walt Disney Company
The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, interactive media and consumer products. Disney is a Dow 30 company with revenues of nearly $38 billion in its most recent fiscal year.

About Marvel Entertainment, Inc.
Marvel Entertainment, Inc. is one of the world’s most prominent character-based entertainment companies, built on a library of over 5,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in licensing, entertainment (via Marvel Studios and Marvel Animation) and publishing (via Marvel Comics).

———————————

I think it’s a great deal for Disney. Great for owners of IP in general. It puts a premium on content creation and content ownership. Bully for you, Bob Iger! Electronic Arts is next and then you guys are all set.

Jill Kennedy – OnMedea

August 28, 2009April 29, 2011

On Monday, Disney Will Announce They Are Buying Marvel

MARK MY WORDS – ONMEDEA-PHILES! It’s going to happen.

Send me an email on Monday morning that says:

“Jill,
You were right!”

Jill Kennedy – OnMedea

May 12, 2009May 12, 2011

All The President’s Men – Washington Post Budget Meeting Scene

Here is a companion to “All The Facebook’s Men” – the actual scene from the original screenplay of “All The President’s Men”

INT. WASHINGTON POST – CONFERENCE ROOM

NATIONAL EDITOR: –let me tell what happened when I was having lunch today at the Sans Souci–

ROSENFLED: –correction–when you were drinking your lunch at the bar of the Sans Souci–

NATIONAL EDITOR: –this White House guy, a good one, a pro, came up and asked what is this Watergate compulsion with you guys and I said, well, we think it’s important and he said, if it’s so goddamn important, who the hell are Woodward and Bernstein?

ROSENFELD: Ask him what he’s really saying– he means take the story away from Woodstein and give it to his people at the National Desk–

NATIONAL EDITOR: –well, I’ve got some pretty experienced fellas sitting around, wouldn’t you say so?

ROSENFELD: Absolutely. And that’s all they do, sit sit sit – every once in a while, they call up a Senator, some reporting–

NATIONAL EDITOR: –well, what if your boys get it wrong?

BRADLEE: (after a beat) Then it’s our asses, isn’t it?

SIMONS: (indicates the meeting is over) And we’ll all have to go to work for a living.

As the men rise and head for the door, the FOREIGN EDITOR moves toward BRADLEE and SIMONS who remain seated as before.

FOREIGN EDITOR: I don’t think either Metropolitan or National should cover the story.

Bradlee and Simons look at him.

FOREIGN EDITOR (CONT’D): I don’t think we should cover the story, period.

BRADLEE: Go on.

FOREIGN EDITOR: It’s not that we’re using unnamed sources that bothers me, or that everything we print the White House denies, or that almost no other papers are reprinting our stuff.

SIMONS: What then?

FOREIGN EDITOR: I don’t believe the goddamn story, Howard, it doesn’t make sense.

BRADLEE: It will, it just hasn’t bottomed out yet, give it time.

FOREIGN EDITOR: Ben, Jesus, there are over two thousand reporters in this town, are there five on Watergate? Where did we suddenly get all this wisdom?

Bradlee and Simons say nothing. They respect this guy.

FOREIGN EDITOR: Look – why would the Republicans do it? My God, McGovern is self-destructing before our eyes — just like Muskie did, Humphrey, the bunch of ’em. Why would the burglars have put the tape around the door instead of up and down unless they wanted to get caught? Why did they take a walkie-talkie and then turn it off, unless they wanted to get caught? Why would they use McCord–the only direct contact to the Republicans?

BRADLEE: You saying the Democrats bugged themselves?

FOREIGN EDITOR: The FBI thinks it’s possible–the Democrats need a campaign issue, corruption’s always a good one. Get off the story, Ben — or put some people on McGovern’s finances; fair is fair, even if our business.

He leaves.

Jill Kennedy – OnMedea