Social Media – Page 2

October 9, 2013

Journalism Is Dead

If other blogs didn’t steal my stuff years ago, I would have said R.I.P. Journalism – but “R.I.P.” as a way of saying a something is dead is also dead.

So, what do I mean by “Journalism Is Dead?”

Very simple. Journalism is dead. I’ll prove it.

The online media “information” space has been taken over by the Press Release. Companies issue press releases or send emails to blogs like Deadline.com or TechCrunch and that becomes the news of the day. No one is actually out in the field unless you consider a guy with a camera in the face of a drunken celebrity at TMZ real journalism.

Very few – VERY FEW – are actually digging up stories, creating news – trying to right the wrongs. It’s all controlled by someone other than journalists.

So here’s my experiment…

I didn’t really write over the summer because I was working on a book – so my numbers were pretty terrible on this blog. I was doing pretty well when I was constantly writing about how Facebook sucks. But now it’s terrible.

Last month I had very few eyeballs on this site because I really wasn’t around and only posted one time. Pretty sad.

In September 2013 – OnMedea had 1,167 hits. A real low for the site – but my own fault. In October, I am at 574 hits for the month – mostly because of the old Sean Hannity story – but really terrible.

Now I’m mostly going to do what others “media” blogs do for the rest of the month (Press Releases, hearsay, etc. – with my own little comments here and there) – whatever takes the LEAST amount of time – and give updates on how my numbers change.

Should be an interesting experiment.

Jill Kennedy – OnMedea

September 9, 2013January 17, 2014

Lloyd Blankfein Is A Douche

It’s my shortest blog of the year – but I think the point is solid.

Here’s just one of the many reasons from NYMAG.com

Jill Kennedy – OnMedea

September 9, 2013

Marissa Mayer Needs To Get Her Voice Back

Allen & Company retreat, Anne Mulcahy, Ari Emanuel, Barry Diller, Ben Silverman, Bob Iger, Bobby Kotick, Carol Bartz, Charlie Rose, Cory Booker, DumbDumb, Electus, Eric Schmidt, Erin Burnett, Gina Bianchini, Harvey Weinstein, Herb Allen, Herb Allen Sun Valley Conference, Herbert Allen, Jean-Bernard Levy, Jeff Bewkes, Jeff Weiner, Jeff Zucker, Jeffrey Immelt, Jerry Yang, John Donahue, Ken Auletta, Khan Manka, Lachlan Murdoch, Lady Gaga, Leslie Moonves, Lionel Barber, Lloyd Grohl, Manka Bros., Marc Andreessen, Marissa Mayer, Mark Pincus, Mark Zuckerberg, Martin Sorrell, Mathias Dopfner, Mike Bloomberg, Niall FitzGerald, Peter Chernin, Phillippe Dauman, Reid Hoffman, Richard Parsons, Ricky Van Veen, Rob Wiesenthal, Robert L. Johnson, Ron Meyer, Rupert Murdoch, Sergey Brin, Sheryl Sandberg, Steve Jobs, Sun Valley Retreat, Sun Valley Retreat 2010, Terry Semel, Tom Freston, Tom Friedman, Ursula Burns, Vivi Nevo, Warren Buffett, World's Largest Media Company, Rupert Murdoch, Jose Maria Aznar, natalie Bancroft, Peter Barnes, Chase Carey, Kenneth Cowley, David DeVoe, Viet Dinh, Rod Eddington, Joel Klein, Andrew S.B. Knight, James Murdoch, Lachlan Murdoch, Thomas Perkins, Arthur Siskind, John Thornton, Stanley Shuman, Rebekah Brooks, Les Hinton, Teri Everett, jack Horner, Julie Henderson, Reed Nolte, Roger Ailes, Janet Nova, John Nallen, Beryl Cook, Michael Regan, Genie Gavenchak, Brian Lewis, Irena Briganti, Dan Berger, Rosabel Tao, Steven Rubenstein, Suzanne Halpin, Elisabeth Murdoch, Carol Bartz, Roy Bostock, Patti Hart, Sue James, Vyomesh Joshi, David Kenny, Arthur Kern, Brad Smith, Gary Wilson, Jerry Yang, Blake Irving, Ross Levinsohn, Rose Tsou, Rich Riley, Tim Morse, Michael J. Callahan, David Dibble, David Filo, Dr. Prabhakar Roghavan, Jeff Russakow, Elisa Steele, David Windley, Scott Thompson

The title is not some abstract reference for reconnecting with a global vision…

She LITERALLY needs to get her voice back.

I’m not sure I can listen to another interview with that raspy, unhealthy voice.

And here’s one of the more recent interviews…

Seriously, Marissa, the company (and your baby) will be just fine if you just don’t talk for a few weeks.

You must rest your voice or you will be talking like Harvey Fierstein before too long.

Jill Kennedy – OnMedea

July 19, 2013

The Emmys Are A Joke

I had to interrupt my summer hiatus (I’m working on a book so I haven’t been posting in this space for a few weeks) to say the Emmys Are A Joke.

I’m not talking about the nominations – for the most part, it’s the same actors year after year after year. TV comedy is in big trouble. The only broadcast shows nominated are getting really old. New comedy doesn’t exist on broadcast.

But that’s not at all the point I want to make it.

This is my point: “HOUSE OF CARDS” IS NOT A TELEVISION SHOW!

It is a series of webisodes.

High-quality webisodes.

It was not produced for television…

It did not air on a television network…

It is not a television show.

“House of Cards” is an internet series produced for online and mobile delivery. The last time I checked, TV shows are produced and distributed for satellite, cable and over-the-air broadcast networks.

The TV Academy can’t just cherry pick internet webisodes that it likes and call them TV shows.

And the TV Academy shouldn’t be claiming the Internet as their own – even though on their website they say: “The Television Academy, the only major organization devoted to the television and broadband screen entertainment industry…”

In reality, they have as much claim over the Internet as I do.

And it would be impossible for the guys in the TV Academy to watch all of the content produced for the Internet (so, to make it easy on themselves, they just give the nominations to Internet content that features big stars – Kevin Spacey, Jason Bateman, Zach Galifinakis, etc.).

Can you imagine these TV Academy members sitting with their iPads watching every series produced by comedy improv troupes around the freakin’ world? “Hey, did you guys see this one from some guys in Des Moines that make fun of working in an office? It’s hysterical! It should nominated for an Emmy!”

On top of that, the TV Academy refuses (because of arrogance) to even acknowledge The CW as a legitimate producer of programming (how “The Gilmore Girls” on old The WB never got a nomination is still one of the great injustices in entertainment history – and that’s no platitude) and yet they’ll throw a few nominations to Netflix to prove some kind of point. To show that the TV Academy is aware of the future and is very much on the cutting edge of content production.

But they’re not. When you think of the TV Academy – you still think it’s just a room of old white guys longing for the days of Norman Lear and the three powerful networks that everyone watched. Remember when the cable industry had to form their own pathetic award show (the Cable ACE Awards) because the TV Academy didn’t allow cable shows to be nominated?

Now, anyone can be nominated for an Emmy. Maybe I’ll produce a series of webisodes about my dog and submit it for consideration. It won’t even be looked at because my dog doesn’t look like Kevin Spacey.

You never know, maybe the TV Academy is changing with the times – and if they are – maybe they should change their name.

“The Transmedia Academy Of Arts & Sciences!”

Now THAT has a ring to it.

A couple of years ago, I wrote “Broadcast Networks: On Death And Dying” to illustrate that Broadcast Networks are in complete denial that one day they will just be another button on the grid – the master grid that gives equal weight to every type of format imaginable on our connected TVs (broadcast, cable, YouTube, Netflix, games, family videos… everything equal).

Ted Sarandos of Netflix is absolutely correct when he says: “Television is what’s on the screen – not how it gets there.”

But that doesn’t mean “House of Cards” should get an Emmy nomination.

It’s not a TV show!

Jill Kennedy – OnMedea

May 30, 2013May 30, 2013

The Death Of The Tentpole Film

Manka Bros., Khan Manka, Manka Bros. Studios, The World's Largest Media Company, Newt Gingrich, Callista Gingrich, Jackie Battley, Marianne Ginther, Jeff Weiner, Ben Silverman, Rob Johnson, Sonny Perdue, Rick Tyler, Hermain Cain, Mitt Romney, Rick Perry, Michele Bachman, Rick Santorum, Ron Paul, Joseph Smith, Thomas S. Monson, Elder Cook, Elder Nelson, Elder Holland, Elder Perry, Elder Bednar, George Romney, Ann Romney, Brigham Young, Sean Hannity, Bob Dole, Ann Coulter, James Grisham, Eric Stanger, Allen & Company retreat, Anne Mulcahy, Ari Emanuel, Barry Diller, Ben Silverman, Bob Iger, Bobby Kotick, Carol Bartz, Charlie Rose, Cory Booker, DumbDumb, Electus, Eric Schmidt, Erin Burnett, Gina Bianchini, Harvey Weinstein, Herb Allen, Herb Allen Sun Valley Conference, Herbert Allen, Jean-Bernard Levy, Jeff Bewkes, Jeff Weiner, Jeff Zucker, Jeffrey Immelt, Jerry Yang, John Donahue, Ken Auletta, Khan Manka, Lachlan Murdoch, Lady Gaga, Leslie Moonves, Lionel Barber, Lloyd Grohl, Manka Bros., Marc Andreessen, Marissa Mayer, Mark Pincus, Mark Zuckerberg, Martin Sorrell, Mathias Dopfner, Mike Bloomberg, Niall FitzGerald, Peter Chernin, Phillippe Dauman, Reid Hoffman, Richard Parsons, Ricky Van Veen, Rob Wiesenthal, Robert L. Johnson, Ron Meyer, Rupert Murdoch, Sergey Brin, Sheryl Sandberg, Steve Jobs, Sun Valley Retreat, Sun Valley Retreat 2010, Terry Semel, Tom Freston, Tom Friedman, Ursula Burns, Vivi Nevo, Warren Buffett, World's Largest Media Company, Rupert Murdoch, Jose Maria Aznar, natalie Bancroft, Peter Barnes, Chase Carey, Kenneth Cowley, David DeVoe, Viet Dinh, Rod Eddington, Joel Klein, Andrew S.B. Knight, James Murdoch, Lachlan Murdoch, Thomas Perkins, Arthur Siskind, John Thornton, Stanley Shuman, Rebekah Brooks, Les Hinton, Teri Everett, jack Horner, Julie Henderson, Reed Nolte, Roger Ailes, Janet Nova, John Nallen, Beryl Cook, Michael Regan, Genie Gavenchak, Brian Lewis, Irena Briganti, Dan Berger, Rosabel Tao, Steven Rubenstein, Suzanne Halpin, Elisabeth Murdoch

Hollywood doesn’t need to panic yet – but the powers that be should seriously start thinking about changing film slate strategies.

This is great news for filmmakers, terrible news for Hollywood’s bottom line.

Tentpole movies, when they work, print money for years and years and years – through sequels and licensing, etc. etc.

But, like what happens with obesity, if you give someone a double-quarter pounder meal with super-sized fries every once in a while – it probably won’t make you fat.

If you give someone that meal every freakin’ day for the rest of their lives – they’ll be fat and die much sooner than is necessary.

Hollywood studios have booked a tentpole movie practically every weekend for the next five years.

This is unsustainable and only a matter time before audiences yell bullshit, back away from the Big Mac and change their diet.

This is not to say that these movies are going away completely. There is always an appetite for a great event film spectacle. When they hit, it’s the greatest experience. And I hope that never goes away.

But everything can’t be a tentpole.

Yesterday, I saw the Deadline.com story on Disney’s announced animation slate (see picture).

Personally, I CANNOT WAIT for “Untitled Disney Animation Movie 2017!” And I really can’t wait for the Untitled Toy that my daughter will want.

Studios, especially on the live-action side, have no idea which movies are going to rise up from the pile to get a greenlight five years in advance.

They just know that they have to make 5-6 tentpole movies a year to hit their revenue and profit targets. You can’t make a decent budget projection if you have slated “Silver Linings Playbook 2” or the next film from Alexander Payne.

Tentpoles are necessary for financial planning. But it’s become so much of a science and so NOT much of a creative endeavor that I fear they are suffocating the goose that’s been laying the golden eggs for the past 10 years.

And, seriously, audiences just can’t take it anymore.

They aren’t crying for “Marvel Character #1,000” to finally have his or her own movie!

“Remember that character that cleaned the floors in ‘The Amazing Spider-man Comics #43’? He totally needs his own movie!”

But Hollywood thinks it can do it and that audiences will keep lapping it up.

And this summer, they will – “Man Of Steel” and “Pacific Rim” both look fantastic and I’ll be seeing them both on opening weekends with millions of others.

Again, Hollywood doesn’t need to panic yet.

I wrote a couple of years ago that audiences will never tire of super heroes – that the characters who are shoved quickly into movies should not be blamed for the failures of mortal film executives and writers to tell their stories well.

But there is only so much heavy lifting these characters can do – they’re superheroes, they’re not God.

It’s time for Hollywood to take more risks, be more experimental, have more fun. Don’t be afraid to fail.

Film production IS McDonalds these days. The food looks and tastes exactly the same every time (and, sure, there is some comfort in that). But when was the last time you heard an employee at McDonalds say their job was fun and totally creative?

Jill Kennedy – OnMedea

April 16, 2013April 16, 2013

The New York Post Gets It Wrong… Again

Seriously, what is their problem?

Just because some guy says 12 are dead – doesn’t mean you post it. Even Rupert Murdoch should know that (maybe not).

Jill Kennedy – OnMedea

April 9, 2013April 9, 2013

Aereo Will Fail

Make no mistake – there is no chance Aereo will survive longer than two or three years. That’s a best-case scenario.

Broadcast Networks are dying (it’s true) and will be dead in their current form within five years.

In five years, who is going to pay $8 a month for nothing?

Where are all those little antennas going to go once Broadcast Networks cease to exist?

What sort of business launches with this sort of insane hype that, at most, will only exist for five years?

A Barry Diller company, of course.

The only useful purpose Aereo has is that it will play a part in hastening the inevitable demise of Broadcast Networks.

That’s something, I guess.

I wrote a couple of years ago that Broadcast Networks were in denial (BROADCAST NETWORKS: ON DEATH AND DYING – April 1, 2011). That the executives were longing for the old days of The Big Five.

Now they’re just trying to survive at any cost.

New shows aren’t working. The upfronts next month will be terrible (regardless of what the networks will actually say in their trumped up press releases and over-the-top presentations).

But things aren’t completely dire.

Chase Carey has the right idea but he shouldn’t say that he’ll make FOX a cable channel as a threat to Aereo. He should make FOX a cable channel because it would be a good business decision. It’s really the ONLY business decision.

It is time for Broadcast Networks to accept that the world has changed. “The Mary Tyler Moore Show” is no longer the number one show. And new shows like “How To Live With Your Parents (For The Rest Of Your Life)” will not save you now.

Basic cable and becoming just another button on the infinite media grid of the future is the only chance ABC, CBS, MBS, NBC and FOX have to survive.

Love him or hate him (most hate him), Barry Diller has, once again, disrupted an industry in desperate need of change.

If he wasn’t so gooey I would be cheering him on.

For $20 million dollars, he is forcing a $50 billion industry to join the 21st century. Now that’s getting a bang for your buck.

Jill Kennedy – OnMedea

P.S. – Who knew Barry Diller enjoyed fishing so much? Here’s a great story of a recent fishing trip.

March 5, 2013March 21, 2018

The Pathetic, Sleazy World Of Facebook ‘Likes’

1000Memories, Accel Partners, Amish Jani, Andrew Hyde, Andrew Mason, Andy Sack, Ashton Kutcher, Aydin Senkut, Ben Silverman, Bin 38, Bob Davis, Bob Iger, Brad Feld, Brian Kempner, Chris Hughes, Christopher Steiner, Dan Nova, Daniel Gaisin, Danielle Hootnick, Dave McClure, David Brown, David Cohen, David Kirkpatrick, Demi Moore, Demo Day, Diego Gutierrez, Dustin Moskovitz, Edmond Yue, Eduardo Saverin, Emmett Shear, Eric Lefkofsky, Fergal Mullen, FirstMark Capital, Founders At Work, Francis Duong, Gaurav Tewari, Gerald Levin, Gerald Poch, Greg McAdoo, Greylock Partners, Harjeet Taggar, HBO, Highland Capital Partners, Irena Goldenberg, Jared Polis, Jeff Bewkes, Jeff Weiner, Jeff Zucker, Jessica Livingston, Jessica Mah, Jill Kennedy, Joanna Shields, John Hsin, John Palfrey, Jon Miller, Jr., Justin Kan, Justin.tv, Khan Manka, Larry Wilson, Laurence Albukerk, Lawrence Lenihan, Li Ka-shing, Loopt, Manish Patel, Manka Bros., Mark Cuban, Mark Zuckerberg, Matt Cohler, Matt Nichols, Michael Arrington, Michael Gaiss, MySpace, Nick Marsh, Nicolas Carlson, OnMedea, Owen Van Natta, Paul Buchheit, Paul Cianciolo, Paul Graham, Peter Bell, Peter Thiel, Reddit, Richard de Silva, Richard Heitzman, Rick Heitzmann, Robert Morris, Ron Conway, Rudy Adler, Rupert Murdoch, Sand Hill Road, Scott Shane, Scott Switzer, Sequoia Capital, Sergey Nazarov, Shabbir Dahod, Shawn Broderick, Sheryl Sandberg, Sterling Phillips, Sumner Redstone, Tapzilla, TechCrunch, TechStars, TextPayMe, Toy Story 3, Trevor Blackwell, Y Combinator, google, Eric Schmidt, Tina Brown, The Daily Beast, Barry Diller, Dan Lyons, Google Smear campaign, Burson-Marsteller, Chris Soghoian, Jim Goldman, John Mercurio, Mark Pincus, Zynga, Spotify, Facebook Like

Companies who believe that having millions of “Likes” on Facebook is important to their bottom line have it absolutely wrong.

“Liking” Coke or “Liking” The Avengers on Facebook isn’t going to make a person drink more Coke or see The Avengers more times – it just means they’re going to get nothing but product blasts for the rest of their lives.

I would argue it might actually make you drink less Coke because you’re so fucking annoyed with the relentless marketing from the Coca-Cola Company.

Social media would be incredibly valuable if companies would just leave it alone, make products people really like (not “Like”) and stay out of our faces.

People talking with each other (real people) and texting and emailing and chatting, etc. is the greatest marketing tool ever invented (and it wasn’t actually invented by anyone – save God). And companies are figuring out new and clever ways to fuck that up.

If you mention in your status that you are running out to Starbucks – there is really good chance your Picture and Status Update will appear in one of your friends News Feed as ads.

So, you are now, unwittingly, a Corporate Shill for Starbucks. Most people don’t like to be Corporate Shills. The term “Corporate Shill” is not a term of endearment. It makes your real friends hate you just a little bit more than they did before you pushed a product on them.

I did a little experiment over the past month. I decided to accept everyone who requested to be my friend on Facebook – http://www.facebook.com/jill.kennedy.5095

I had my own little circle of work colleagues and college friends (around 30) – but decided to accept all comers in the hope that I could expand the number of “Likes” on my newly-created Company page – http://www.facebook.com/MankaBros

So I accepted and sort of went begging for “Likes” as so many people do. “If you ‘Like’ my page I’ll like your ebook or Erotic Blacklight Art Page in return…'” etc. etc. etc.

This was an eye-opening and humiliating experience – I now have 768 Friends (and counting) and not many “Likes.”

But, surprise, suddenly there was pornography in my News Feed.

There was every kind of racist Poke imaginable. Scary sexually advances. (And, to be fair, a few genuinely nice people.)

But, in general, a stunning display of what’s really out there.

Not pretty.

Are these the people Coke wants to “Like” them?

The marketing world’s latest buzz phrase is “Big Data” – gathering everybody’s information. Seriously, there are people out there whose information should never be shared except with some type of law enforcement.

Personally, I can only speak for big media companies (and myself), but I can imagine it applies to every company (and person) out there – be careful what you wish for when you start your social media campaigns because once people “Like” you, they never leave you alone.

Jill Kennedy – OnMedea

P.S. – “LIKE” ME ON FACEBOOK!” – http://www.facebook.com/onmedea

February 27, 2013February 27, 2013

Stuck Between Old and New Media

Hollywood is stuck.

New York is stuck.

Silicon Valley is stuck.

No one can really do anything too exciting because old media is still hanging around – refusing to give up the crown.

Don’t get me wrong – OLD MEDIA IS DYING – but they’re not dead yet.

DVDs are dying – but they’re not dead yet.

We can assume that digital downloads and streaming will be the format of choice in the future – but we don’t know how it will all be quantified. Will people buy digital movies and store them in the cloud using UltraViolet and iTunes or just rent from Redbox and subscribe to Netflix?

Broadcast Networks ARE dying – but they’re not dead yet.

Will YouTube become a go to destination for entertainment on par with broadcast and cable channels? OK, that’s easy – YES – and soon.

Will Netflix realize its dream and become another HBO? Probably not. Just because “House of Cards” sort of works doesn’t mean the next five or ten shows will.

Printed books are dying – but they’re not dead yet. Will eBooks be enough to sustain an entire industry? (And Gay Moroccan Poetry definitely isn’t going to turn things around.)

Magazines are dying – YEP, they’re pretty much dead. And the online future of magazines isn’t bright at all.

Same with printed newspapers. And newspapers online will not be able to cover the costs at their current levels – so look for further contraction of that industry.

Theatrical Distribution of movies and events is most likely here to stay when many thought a couple of years ago that the format would die (though 3D WILL die).

Even Facebook and LinkedIn feel like old school media companies that are wearing out their welcome. They’ll eventually go out of business. In the meantime, they’ll just stick around and be as boring as ever.

How crazy is it that the Music Industry almost seems relatively healthy (after a decade of torture and pain)? As horrible as was, at least they’ve made the transition to digital – and now, though smaller, they’re actually growing again. But for how long? Nobody knows.

It’s limbo.

We can’t see what the future will be because the past won’t go away.

Too many unanswered questions.

With everything so completely up in the air, it’s a terrible time to be in the media business.

Jill Kennedy – OnMedea

January 17, 2013

Manti Te’o and the End of Truth

Manka Bros., Khan Manka, OnMedea, Jill Kennedy, Khan Manka, Manti Te'o, Brian Te'o, Lennay Kekua, Annette Santiago, Pete Thamel, Lennay Marie Kekua, Gene Wojchiechowski, Charlie Rose, Ronaiah Tuiasosopo, Fred Matua, Charlie Rose, Oasis Christian Church, U'ilani Rae Kekua

First, an acknowledgement:

This is a quote by Tom Brokow right after the first Gulf War started in 1991 and CNN had the only reporters on the ground during the initial bombing of Bagdad: “CNN used to be called the little network that could. It’s no longer a little network.”

This can now be said of Deadspin.com. “Deadspin.com used to be the schlocky little sports blog that could. It’s no longer a little blog (though still somewhat schlocky).”

As of this writing, the Manti Te’o story has been read over 3,000,000 times on the site – (read it here, it’s awesome). To put it in context, a story about the 34 Hostages killed in Algeria (including Americans) has been read 27,000 times on Gawker (the parent of Deadspin.com).

So congratulations to everyone at Deadspin.com. You win. The rest of sports media loses.

The reporters at Deadspin.com (Timothy Burke and Jack Dickey) said they got an anonymous tip that there was something fishy (my word) about the Manti Te’o girlfriend story. They did an initial Google search and found no stories about his supposed girlfriend (Lennay Kekua) except those that mentioned Manti Te’o. It was as though she only existed through her involvement with Manti Te’o. No other connection or mention. That is fishy.

But there could have been other mentions.

If those who masterminded the hoax had wanted to create old media stories about her and old websites and old social media profiles, etc., they could have. It is so easy to create a false persona that everyone believes is real… they might as well be real.

They could have created a very rich, detailed, full life of Lennay Kekua that would fool everyone. People would say stuff like “oh, good for her,” “oh, I didn’t know that about her,” etc. And they would believe it because they don’t care if she’s real or not. She’s on the internet – so she’s real. End of story.

Everything that everyone says as a fake persona on the internet is true because who is going to investigate it? There aren’t enough Deadspin.coms in the world to look into the millions and millions of fake people out there.

If a fake person says on Facebook “I am eating a hamburger” – who’s going to believe it’s not true. It’s not possible, of course, because fake people can’t eat. But no one is going to question it. Because no one cares.

Everything Deadspin.com writes on the internet is as true as everything the New York Times writes. We may not agree with what they write but we don’t question the validity – there just isn’t enough time (unless it’s The Onion – and who is to say that stuff’s not true).

Deadspin.com’s story of Manti Te’o was actually questioned immediately by “the established media” because Deadspin.com didn’t have a strong journalism reputation (to say the least) and most people never heard of it.

But now, they are a go to source for breaking sports journalism – and, going forward, most won’t question what they write next.

Maybe the writers at Deadspin.com aren’t real either – no one seems to be inquiring about that – but it would be really easy to create “journalist characters” who act like they’re breaking real news stories until one day they actually do break real news and become “legitimate.”

Who is Timothy Burke and Jack Dickey? Sounds fishy to me. Extending it to television, who believes Charlie Rose is real? He looks like he’s been dead for years.

The internet is a fantasy world where people can be happily anonymous or happily real. It’s all the same.

It’s a massively multi-player online role-playing game (MMOPG) that we all play every day of our lives.

And no matter how many times Facebook asked for a phone number or a driver’s license or passport for users on their site to make sure only real people are there, the truth is, 20 or 30% of people there are not real. And never will be real and most of us never question it because we want the fantasy to be reality. We want our dogs to have Twitter accounts. We want to interact with “Shakespeare.”

It looks to me like Manti Te’o got caught up in that world and really fucked up his life in the “real world.”

Lennay Kekua had to die because someone would have eventually wanted to meet her OFFLINE – and that is where there is still some truth in the world.

Online, there is no truth and there never will be – and that’s the way we like it.

Jill Kennedy – OnMedea