Cherry Jones – Behind the Proscenium

New Year’s Eve

With Wit, Reviewed By Kimmo Mustonenen

New Year’s Eve.

Really?

A painless romantic comedy with 20 big stars about 10 different stories twisted together with a background in New York (New York).

Beyond the site (New York, dumb ass), time is the most important parameter which moves the narrative academic standards (I’m so high), and we are in the New Year’s Eve and all shows on first sight cheerful and festive.

Bullshit.

So, is it better than “The Human Centipede 2 (Full Sequence)”?

No. Hell no.

The characters through many emotional and less comical situations are easily predictable in a pleasant but dull (like an AM/PM hamburger, yummy, and yet gross) in the whole movie follows the same recipe last year’s “Valentine’s Day” by the same director (Garry Marshall – who has giant big teeth… creepy).

That “little bit of everything” – loves all types and ages.

Here of course the nature of the celebration that unites or reunites families (as opposed to“Valentine’s Day” where we saw first young love, but without guilt and boners) seeing traumatic relationships and people in crisis who are required to overcome the wounds of the past or to retrieve media a second chance (like you, Kyrle – your obsession with pecs was your undoing – I said it!).

Usually the New Year people make “self” for their mistakes and set goals for the new (or drunk, and then the regret, and then the pregnancy).

Experiential endoscopy – I think – makes the standing on the story of New YORK’S Eve – sorry, New YEAR’S Eve.

The story of an estranged, and severe ill father (Robert De Niro – he must pay the bills, poor bastard) of Hillary Swank (no character name that I remember but major boobs), responsible for the celebration in Times Square (she fails) is typical of the dramatic tone that introduces us to the plot of Big Tooth Man Director and the character of Michelle Pfeiffer (yes!) who give up everything for to live within a few hours, as did a whole life, shows that things do not always go as we dream, chasing unrealistic time.

(This is an homage to The Talking Heads, from me, Kimmo Mustonenen I’m pretty high.)

The melancholy touches, however, is temporary and as time is pressing everyone to catch up to complete the remaining issues created some grotesque comic situations such as the birth of babies(!) by Jessica Biel. I guess Timberlake finally got busy. Tap it, Justin!

It is gratifying to planning something carefully and setting goals which will then happen by hard effort, but some things make nature itself …as twins.

WTF?!?

Can arrange a time for a natural phenomenon? With the help of technology, perhaps!

(This is an homage to DEVO. Holy crap, I may never come down!)

This is not, damage to the “countdown to the ball” in the Times Square of New York causes a confusion in the already fragile nature of the Swankster (she said I could call her that), but the right decision to put the right person for the repair of the short time until midnight (an electrician who had been dismissed in the past) shows that, in some relationships inevitably “make cycle”.

(This is an homage to my bong. Son of a bitch. I’m wasted.)

Then there is the shit-ton avalanche of other stars: Ashton Kutcher (The Cougar Tamer), Lea Michelle (Playskool’s “My First Streisand”), Sarah Jessica Parker (My Little Pony), Abigail Breslin (Why Are You In This Shit?), Halle Barry (Another Razzie?) and Zac Efron (“It’s a trap!”).

This is a soup lesson.

How?

You want a soup to make. You have ingredients for the soup in the millions. You know in reality the best soup? Maybe five ingredients. Maybe ten.

Instead, all ingredients go into the soup.

All millions.

And the soup? Shit.

You have now spent time and treasure to create shit soup.

And the name of your shit soup?

New Year’s Eve.

Kimmo Mustonenen – (Kimmo On Kino) – Behind The Proscenium

P.S. Soon I will see Charlize Theron in “Young Adult”. Ginnifer Goodwin, you are so out of my mind (in the not good way).

P.P.S. I’m so fried. I have a total hard-on for the Flame Flavored Cheeto. Tell me the favorite of your high Cheeto in the comments! Damn, I’m hungry.

What?

With wit, reviewed by Kimmo Mustonenen

“The Beaver” is nearly successful, despite the condition of his film script, which was capable I simply do not (cannot) to assume. I confess it is possible, too, that a man could be in the lowest point in the situation, to be healed, by project engineering his psyche into a hand puppet.

I am not it am possible safe, or even advisable to form a serious film over. What? We go through the film with Mel Gibson, which he carries one toothy beaver on its left hand, and which an entire lot of dis-believingness causes, so that we shift. Over.

Nevertheless is here different of Mel Gibson’s-fine achievements, an announcement that he is finally a great actor.

His personal life is in the ruins because of the illness of dipsomania (and Russians), which fights it still with (and with the Russian). He I thinks, which is responsible for his impudent acts and statements, that this is not the good man, who I saw many movies in.

Of, which I know over alcoholism, I believe that he goes through personality conflict that it is content on some days and by rage and crazy head on others used up, and that such changes are symptoms of the illness. Form your own diagnosis. I did.

It took something courage of master Jodie Foster to refer this film in Gibson. I believe that her Gibson knows, his good side and respect its talent. It was certainly the right choice for this material.

Everything, his troubles, summed by looking by her opening shot, an exhausted man, who swims on a raft in a swimming pool, his arms broad like crucified the Christian.

A voice (later uncovered, around the Beaver to be had, what?) informs us that this dark Walter is a man, thus deeply in the lowest point, it his family alienated and nearly his business destroyed. Bummer.

We meet his much-suffering Mrs. Meredith (Jodie Foster), its applied son carrier (Anton Yelchin) and its doubting colleagues. Meredith throws him finally out, not without love, but love with.

He buys a bottle, bangs into a motel, tried to kill himself and by the hand puppet (Beaver) is interrupted. It finds that the puppet has a voice, he lets it speak for him and begins to again enter his life of the previous past.

Brillianter even still, Gibson and author Kyle Killen do not form you the slightest attempt to use the illusion of ventriloquism; Gibson manipulates the puppet and speaks of its own mouth, in an admirable if unexplainable Cockney accent.

His life improves in kinds, which I leave, so that you discover, yourself. I leave you also to surprise around me if Matt Lauer in wait on a material “Today” program quite became with a hand puppet interview, as it does here. What?

A parallel plan refers carriers, which son also, whose gift, papers for schoolmates is to be written, who read, as if they were written by those class participants themselves. What?

The category Valedictorian asks it to write you a speech. If she’s (she’s a she, if that is unclear) that intelligently, why can’t write it? She’s however, that interesting to go through problems, the carriers in one discovers lateral history, bending those, to lead us away from the film’s through-line.

Which kind of the film with the same letters however “The Beaver” does not result to be? We never know.

But without “The Beaver” we would have never witnessed a sexual threesome, a hand puppet with including. Juicy.

Maintaining Gibson must be serious several times, with the production of this film, but don’t you think when filming this sex scene, the urge to suppress laugheter had too much pain? That is the deadly error in this sincere effort.

So well, as Gibson is, his character is gotten caught still between the tragedy of the man and the absurdity of “The Beaver”.

One thumb waiving high. Two, but for the missing of Ginnifer Goodwin. She should be in every film.

Even Fast and the Furious Five, which I will be reviewing soon.

Kimmo Mustonenen – Behind The Proscenium
Follow @KimmoMustonenen

Tag: Cherry Jones

New Year’s Eve [REVIEW]

The Beaver [REVIEW]