Pirates Of The Caribbean: On Stranger Tides
With wit, reviewed by Kimmo Mustonenen
In his latest adventure, goes fourth from Captain Jack Sparrow (Johnny Depp) on the search for the fabled fountain of youth. But not only he, the Spaniards have learned of the promising young well and has sent three ships.
The English crown is again the idea of an immortal Catholic monarchs not enthusiastic and asked why Jack’s eternal rival Hector Barbossa (Geoffrey Rush) with the search.
Officially, he is now sailing as a privateer flying the flag of the British Royal Navy. And then there is an impostor, who claims to be Jack Sparrow, and also hiring a team in London for an expedition
The race to eternal life, the counterparties to exotic locations and great in the middle into an adventure. Mermaids (!), which prove to be far more dangerous than one would expect generally, voodoo, zombie sailors and the legendary pirate Blackbeard (Ian McShane) meet Jack on his way.
Is the most dangerous to him but once a woman, Angelica (Penelope Cruz) he shares a common past – what plans the master of fraud and conspiracy has for the future, Jack is initially remains a mystery.
Bruckheimer, Depp, the Fourth: The producer and his favorite actors put in the new Pirates of the Caribbean back to the wheel and spin the finest yarns.
Like the first three parts, which together have recorded over 2.7 billion U.S. dollars, has Strange Tides beautiful to look, exciting entertainment for a mass audience, and still is Johnny Depp, the role of Jack Sparrow as the Body written.
Pirate Captain includes this time the best moments of the film – it is again a pleasure to see how the actor and his dreadlock mane and felt rum flag staggering and mumbling from one adventure to the next stumble, even the most absurd situations Stoic masters, always charming, always bold and always attentive to his own advantage. Oh, Johnny!
Even at first glance offers Alien Tide with its opulent furnishings. The move by Penny Rose-designed costumes and sets of the Oscar-winning production designer John Myhre viewers immediately back to the 18th Century but no further. The latter has surpassed him in the first quarter of the film itself, because it plays in London.
Place on a remote Caribbean island or in a dilapidated pirate Jack Sparrow may now say in the metropolis at the heart of the British Empire mean mayhem – of which he makes frequent use.
What?
Before that is not even an involuntary audience with His Majesty King George immune. This was before by stutter stricken he was.
Also on Myhre’s account go to extraordinary pirate ships, which of course in the new Pirates of the Caribbean may not be missing. The “Black Pearl” this time puts although a pause, but as Jack’s one true love or the submersible “Flying Dutchman” from Pirates of the Caribbean 2, the filmmakers leave in “Strange Tides” another ship from the deck that has no equal looking for: Blackbeard’s “Queen Anne’s Revenge”.
Macabre decorated with the bones of his victims, the bow is a creepy figurehead, the character played by Ian McShane, dark pirate control them with a wave of his sword.
Also directed by Rob Marshall, who has replaced three parts Gore Verbinski, it remains a hallmark of the Pirates of the Caribbean series that they spiced the classic genre of the pirate movie with all sorts of fantasy elements.
Fantastic is the journey that the excellent ensemble of actors is taking to Johnny Depp, Ian McShane, Penelope Cruz and Geoffrey Rush to rousing music by Hans Zimmer, to the end.
It is developing an exciting, but also little surprising story – perhaps the only criticism which one can make the film. Remained to be hoped that the creators go out in the next few parts will never come out of ideas.
Better than the first part was not a Pirates of the Caribbean everything – even Alien Tide is “only” a very good pirate movie with Johnny Depp again superb in the lead role.
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Priest [REVIEW]
With wit, reviewed by Kimmo Mustonenen
Another comic, another fairy tale, everything is so commonplace that one can only sit back and anticipate the events of the film.
Even the trump card – an explanation of all that is happening on the screen, issued at the beginning of the tape.
What?
And, apparently, the authors rely on the most stupid – you are no parables, all shows pictures, against which the voice of simple monosyllabic sentences, explains:
“There have always been people, and have always been vampires.”
Thanks Voice!
In the distant future, the remnants of civilization are concentrated in cities surrounded by wasteland. In the desert, scattered small settlements and numerous colony-reservation containing vampires.
About how the U.S. turned into a desert, why in the towns, settlements, all seem to the Wild West, and big cities are more like dungeons that hold the power of the totalitarian-minded priests – come on now! Not reported!
In the comic, the previous film, showing only the Middle Ages and the recent past, but says nothing about what needed nuclear carpet bombing.
However, one detail still unknown – the vampires have helped overcome the guys from the church SWAT called “pastors.” These brisk as worms, priests, nearly all suppressed the rebellion of vampires, but after all that they needed neither the church and were dismissed.
Everything changes after one town attacked the vampires and kidnapped relative of one of the pastors. That, of course, goes against the decision of the church council and sent to rescue a girl who suddenly (!) turns out to be his daughter. Well, the church council also not be a fool after sending him to the other shepherds with orders to return to the apostate dead or alive.
I always want to look into the eyes of filmmakers, who took off one of squalor, not complacent, and immediately, the very next day after failing to hire them to be taken to create a new epic movie.
What?
I must admit that Scott Charles Stewart learned a lot since his debut – sadly, nauseating film “Legion“, the most interesting aspect of which was an advertising trailer.
In the “Shepherd” Scott realized that, firstly, the religious themes are already not too terrified minds, especially those viewers that they believe in the Buddha and other Bhagavad-Gita, and secondly, two billion potential viewers on Christian motives for and large, do not care.
Therefore, hastily changing the archangels with the priests uncertain religion, only the cross (and even then – not canonical) reminiscent of Christianity, and all sorts of adversity Doomsday – and also vampires.
Still, the film is ready. Especially handy is the sidekick Paul Bethany, has played in a masterpiece of “Legion” of the main good-natured person that went against God’s will.
“What’s next?” – thought Scott Charles Stewart. Indeed, one priest, struggling with the vampires, does not go far, and in general – “Blade” is still fresh in memory (tax evasion). Means it is necessary to add something, right?
The main villain invented obviously under the influence of the film “John Hex“- yet another monstrously miserable comics masterpiece, as a vampire in a cowboy outfit (with a dog, and a fox… Megan Fox that is. What?) – it’s sort of cool, not un-sucky. It turned out funny film – it is not clear to whom it is intended.
Fans of horror and vampire fighters will spit on the pathetic dialogue, causing a gagging impulse, whereas these impulses should call the cruelty of prohibitive. Kids watch this film – though there’s no nudity and vulgarity, to sleep after such horror, kids will, quite frankly, bad. BAD!
Mass audience? It is unlikely that someone decides to go on a date for this movie here. There are only fans of the “Legion “, but judging by the collections, such – not enough to swear by.
And then there was unbearably serious Paul Bethany. In his companions gave Maggie Q playing the protagonist in love with a colleague on a religious commandos, and Cam Gigandet in the role of the local sheriff who helps the protagonist. All of this trio looks absurd – well, they did not seem like to a team, no chance to meet people of liking.
Somewhere that does not sink or float.
Or swim, by floating.
What?
And when they start talking … well, about the conversations I have already mentioned.
The only thing I can not praise this film – the visual design. Locations quite a lot you see, they are interesting and varied. Plus a few scenes where the pastor and his comrades destroy the vampires and their minions are well supplied. With regard to 3D – a help for him very little, and watch in 3D there are not at that and no one else.
Verdict : Compared with the “Legion” – this film is a real breakthrough. No “Fast and the Furious Five“, but yes. But Bethany is still dull, and Scott Charles Stewart, whatever.
Just add Ginnifer Goodwin, and at hand is a classic.
Ginnifer Goodwin. What?
Something Borrowed [REVIEW]
Ladies and gentlemen, dear loving readers. As I, Kyrle Lendhoffer, put finger to keyboard today I am thankful that I have a wonderful friend like Kimmo Mustonenen. While I work (and play!) to accommodate myself to my new Los Angeles lifestyle, I can fill my column with the witty stylings of that Fabulous Finn Fan-tard – Kimmo. He’s been using my press credentials to good effect. And with that – BEHOLD! Something Borrowed. Go, Kimmo… GO!
With wit, reviewed by Kimmo Mustonenen.
Rachel and Darcy have her whole life long best friends. The two could not be different.
While Rachel has, in recent years, studied law and taught like to make their life into something decent, to Darcy has hung around at parties, looking for Mr. Right.
This blonde has found the ultimate in Party Queen Rachel’s fellow students Dex.
Rachel actually had his eye on the budding lawyer, has left her best friend, but then the field and accepted the freshly baked love happiness in the years to come without comment.
At Rachel’s 30th birthday and only weeks before the wedding of Darcy and Dex admits she Dex in a moment of weakness, however, that she was in love, as a student up to his ears in it.
Dex must have had similar feelings for Rachel, as it comes, as it had to: the two end up in bed.
How could this happen? Fishing in foreign waters – and then another in which her best friend? What?
It fits not at all to the faithful and generous Rachel, or does it?
With Something Borrowed the screen is once again haunted by a romantic comedy.
No other genre is to satisfy the female audience easier and faster than this one.
Nice must it be romantic, a bit humorous, though sometimes exciting, a little tragic, or a touch kitschy. In short, a romantic comedy, with the right ingredients, baked quickly.
Unfortunately, one can, however, Something Borrowed not rush into the category of film, cinema halls and untroubled win hearts in no time for themselves.
Luke Greenfield’s adaptation of the novel by Emily Giffin relies on familiar genre patterns, adds the elements together, however, failed particularly to a film.
The well-known game to conquer the heart boys is “foreign fishing” by playing far too long. 110 minutes of film wind whipped the two opposite players, disguised in the best of friends costume, a constructed story corner after another.
The whole structure looses more credibility and calls for an ever longer a breath from the audience. “She gets it, they do not get it …” The flower is plucked from the earth, has more petals than it can bear on its delicate stem.
Even the most interesting, though not necessarily a new idea, to have two best friends who secretly mutate to rival inside the race for the dream man, saves the romantic comedy is not over its verbosity and lack of wit.
Something Borrowed must ultimately be satisfied to be a film that has a nice feature that in the highly competitive genre can not compete, however.
Too bad, because with Kate Hudson and Ginnifer Goodwin is Something Borrowed not only on two well-known, but also look at two talented leading ladies. While Kate Hudson, for her role as bitchy Liv from Bride Wars, expands further, there Ginnifer Goodwin, the chubby girl who longs for nothing more than to love and affection skillfully, lovingly, please.
Unfortunately, the monotonous script does not provide a good platform for the interaction of the two. While one would have liked to see from Hudson also got another aspect, one can permanently dreamy/sad quickly to a Goodwin only partly borne.
While everything is threatening to Borrowed a lengthy and unimaginative uniformity to blur, Ethan (John Krasinski) appears in the only bright spot imaginative character structure.
The few funny scenes to his credit – that is, given the short screen time that has Krasinski, but ultimately filled only half as good as it could have been. A bit more “Ethan” if Something Borrowed certainly been good, and for more variety in the otherwise rather dull, if in between time and again, provided nice entertaining narrative flow.
If only.
But Goodwin is real cute.
Kimmo Mustonenen
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