Clancy Brown – Behind the Proscenium

Cowboys & Aliens

With Wit, Reviewed By Kimmo Mustonenen

Cowboys & Aliens. Who didn’t play this game in the backyard, when you were children?

I was always a cowboy for I had a hat. It (the scenario) was better on my neighbor Kurri’s backyard; than it was on the big-ass screen.

Story? Well, here goes something…

If a stranger wakes up in the middle in New Mexico in 1873, he does not have memory of his past.

So says this film.

The only reference point which he has is, clamped to his wrist, an outlandish metal bracelet.

The foreigner walks into the city of Absolution and confuses and angers of the local cattle baron – his son. And he has run afoul and a brigand (yes, at the same time).

But when he finds out why he can’t think (not booze – though that has made me not think – like last Wednesday… but that is for another article – boy, I was drunk) – I just got lost in my own sentence.

And from here, Cowboys & Aliens enters into same old, same old cycle, which has the again formed group to run into sporadic detours on their journey – only to be alien attacked again and again.

I miss Indians.

The attacks are shot acceptable. Director Jon Favreau is not stranger to the shooting activity, but there’s no tension, no edge of their seat excitement, which should come at all directions and from each possible position of constraint.

And then we find the heroes can die.

No one never did die in the Kurri’s backyard (not for lack of trying).

Cowboys & Aliens is played fast and loose. The film wastes no time with receiving firmly into and soon it is alien time.

This sets the movie away from other, shy, films. Like Super 8. Show the monster already!

Daniel Craig forms persuasive ass-kicker, for very much a cowboy. That is, if you’ve never seen a movie about cowboys – with or without aliens.

I won’t spoil the alien look. They’re gnarly and ugly – like Kathy Griffin (ha! A joke!).

But even awkward exhibition and lengthy letters can work on their way into an exciting adventure film. Unfortunately, no person it seems in Cowboys & Aliens seems to have fun.

Harrison Ford grumbles with constipation, which does in each film for the last several years (two words – stool softener. Changed my life).

There are moments here and, where he and Craig talk to each other with their eyeballs. Those moments are cool.

Sam Rockwell seems the only member which thoroughly amuses himself. At my screening, the chant “More Sam, more Sam” made the rafters dance (disco!).

And this disappointment continues and on into approximately each aspect of Cowboys & Aliens (that is fun to type).

A western film, tries to have John Ford landscapes, can not strike the necessary boundry-lessness of the west – and the alien motivation for the Earth grabbing? Stupid, stupid, stupid (my editor stops me at three stupids).

Summary: Cowboy & Aliens was better in the Kurri’s backyard of my childhood than in the multiplex which now probably fills the backyard of your youth.

Oh, and Olivia Wilde is fetching (new word)!

Kimmo Mustonenen (Kimmo On Kino) – Behind The Proscenium

The Green Lantern

With Wit, Reviewed By Kimmo Mustonenen

Ryan Reynolds is the man. But no longer today.

This Northman famous film star – once with Scarlett Johansson (followed drunkenly by leathery Sean Penn, yowza!) – is now expected to hold a straight face above with propping a spirit-sucking expensive superhero film.

The great collapse of Green Lantern will cause most to jump on Reynolds to be blamed… but the wrong-headed doing has its origin in a lamest of the television set-trained scriptwriters and mega stone cold producer honchos.

Yes, that is what I said.

A consequence is that the new Warner Brothers flick with the load of explaining (who the Green Lantern is, for instance) is out there for all to see at megaplexes until the next super hero comes to call and kicks Green Lantern to piracy bin.

What?

In one overcalculated effort to cover all surfaces into a whole film tonally – which doesn’t work and is all over the place. Confusion is not for summer cinema!

Greatly and with greatly bombast, he seizes points of Star Wars, Top Gun and from the Superman, in a kind of superhero stew (only less meat – we need meat!).

Four authors convert the film script (each working from separate story) which spreads nerd-speak like written for baby, followed from the cosmic heavenly drilling carriage credited (you know, not understandable).

Hal Jordan (Ryan Reynolds) is a ass-kicker pilot, who sets egos over brothers.

One day, after an expensive combat aircraft during a war game is inadvertently destroyed, this creates an improbable discovery for Hal: a dying magenta-red foreigner (Temeura Morrison) gives Hal a green lantern fulfilled with cosmic energies and his connected ring.

He puts on the ring and promising allegiance to the lantern, Hal transports to another world (not ours!), in which he experiences stuff that makes him now a member of the Green Lantern Corps: a volume of green intergalactic warriors, who use the energy of the power to fight against the forces of the evil and of fear.

Additionally, to receiving a fast course up to learning, and dress down receiving from Sinestro (Mark Strong), experiences the leader of the Green Lanterns, Hal is educated that an old enemy was freed – the Parallax – from his prison and by the galaxy and goes wild (naturally) to earth with all get out.

Carrying a unruffled new costume, Hal drives back to his main planet, around the Parallax’s minion to confront Dr. Hector Hammond (Peter Sarsgaard).

He must also examine his own worth to ex-girlfriend, Carol Ferris (Blake Lively – who isn’t Ginnifer Goodwin – summer movies are suckage) and defeat that ne’er-do-well.

Warner Brothers would like that we enjoy all the big tent pole things with our wallets – Green Lantern for sure.

Sadly, but this is more like which one expects from a independent superhero film (of which is nothing, right?). Non-geeks will not enjoy the production because of non-exciting production. It’s passable, but not much more than an two-hour digression.

Green Lantern is generic – it has an imitative approach that arranges this motion picture film to fall into whichever hell circle Dante envisioned for.

No fear to say it here!

As a man, I only can dream the upcoming Captain Stoppo movie from MC Comics is less a waste of my and yours time.

Kimmo Mustonenen (Kimmo On Kino) – Behind The Proscenium

Tag: Clancy Brown

Cowboys & Aliens [REVIEW]

Green Lantern [REVIEW]