Jay Amor – Behind the Proscenium

November 16, 2012November 16, 2012

The Twilight Saga: Breaking Dawn – Part 2

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The Twilight Saga: Breaking Dawn – Part 2

With Wit, Reviewed By Kimmo Mustonenen

Son of a bitch.

Damn you, Mayans.

I, and the Earth, have lived to see what we wish the seeing of would not have happened.

Why not the end?

Sometimes the end is better than the being. But no.

My eyeballs have made my brain see “The Twilight Saga: Breaking Dawn – Part 2“. Electric Boogaloo.

That would have been the cool.

Odin. I have always been in service.

Oh, God of Cargo, I follow.

Since you were on the tree Yggdrasil attached to find the truth, to now.

But the pain.

Oh, Odin, the pain.

My eyes have been rubbed in shit. And that shit is “ The Twilight Saga: Breaking blah blah blah blah blah blah“.

Story? Really?

If this is for your interest for the reading there are many things:

1) I love this shit. Like the film Kimmo, like me, or you will the for the stalking like my 75 cats do to the poor back yard birds (this is for middle-age Twi-Fraus).

2) I love this shit. Like the film Kimmo, like me, because this was the first time that my parts that make of me a girl gave me a squirm – whatever team. Best movie since “Citizen Kane” or “The Notebook” (teenage Twi-tards – sorry for making the Citizen Kane reference – your tiny brains explode like insignificant lady fingers).

3) I love this shit. Like the film Kimmo. If I disagree my girlfriend handjobs may cease immediately (the horror – poor boyfriends of crazy chicks liking this thing movie crap).

4) This is stupid. Damn bad CGI movie mess that makes the smart dumb, and the rest shake the head and reach for the Kossu (normal people).

Here is some plot.

After the birth of her daughter, Renesmee, Bella slowly adapts to his new life with the help of vampire Edward.

Feeling threatened by the birth of a new genre, the Volturi declare war on the family Cullen.

To prepare their defense, Cullen will travel the world to bring together families and allied vampires try to push the Volturi in a final confrontation.

Wow! Wait, what?

Have there been worse films to let in my mind?

Of course, the first 500 movies of this franchise of suck.

“Freddie Got Fingered.”

Maybe that is the total. My brain reels. I wish for the end.

Odin, I hate for the being of the negative. But I knew.

The sweet smoke didn’t make things better.

The Kossu only brought sadness.

So, now, here we are. What more to say?

Two thumbs waiting for the end. For Ragnarok, if the Mayans cannot get their poop in order. Drooping down, waiting for the end.

At least this stream of shit is at an end (thoughts after visiting Acapulco – four days of hell – though Twilight was longer and hurt more).

You will see it if you want. If not, then not to see. Your minds are already in place for a decision. I cannot change that.

Kimmo Mustonenen – (Kimmo On Kino) – Behind The Proscenium

P.S. “Fringe” makes no sense. Yet I do not care in my mind. The Observers are well dressed. The future should be so cool.

The Twilight Saga: Breaking Dawn – Part 1 [REVIEW]

November 16, 2011November 16, 2012

The Twilight Saga: Breaking Dawn – Part 1 [REVIEW]

The Twilight Saga: Breaking Dawn – Part 1

With Wit, Reviewed By Kimmo Mustonenen

First – the coming of the clean.

Yes. I’m jealous.

Robert Pattinson has the hair of a god.

A messy hipster god, but god hair is god hair.

I want some.

Now for the real meat – once again, a crap-fest!

The film reviewer life can make one wish (and hope) the Mayans are right, the world ends in 2012, and thus my sitting through another Twilight is decreased to zero.

I pray for this to be so.

Review time.

Bella (Kristen Stewart) has made her choice: She is about to marry Edward (see “hair god” above). But the young man, he will honor his market share? He will accept to transform into a vampire, and see to give up his life?

None of this makes sense.

Like the last novel of the franchise of “Harry Potter”, this is halved for film. Twilight, the final episode, will split into two films. A necessity or a narrative stunt to garner twice the receipts?

Unfortunately, this second option is to be considered opportunistic.

Bad studio, ripping off the Twi-tards.

The conclusion is given the languid pace of the film.

If, initially, it is hasty (precipitated the wedding of Bella and Edward, and their honeymoon), the action then is dangerously fallen to the level zero. After blackness and dark twists the previous section, by far the best of the saga (“wow, that turd looks better than the other turd!”), now is the dominant impression of disappointment from the very beginning.

The narrative seems ever more stretched, not to tell again.

Early in the film, the “hesitation” Bella, already in the middle of the last film, persist.

Again and again.

And again.

Then, one more time.

The character played by Kristen Stewart wonders if she should marry, and then come some discussions with her suitor that I’m sure I heard in another episode. Then, once on the island of temptation, where the lovebirds spend their honeymoon (off of Rio, but there are no 3D animated toucans – bummer!), it was now the turn of Edward the vampire of be in dilemma.

Should he or not sleep with his wife at the risk of turning her into a monstrosity of nature bloodthirsty or kill on contact with his neck, his body, all members of a young fresh woman?

And the guy is still more than 100 years, so freshness level, there have been better!

In this chapter of inaction which is meant to be that of excitement, suspense is emerging little by little to explode in the second half of the film (finally, after one suck-tastic hour).

Bella was nubile and fertile, and therefore, following the single exchange of body fluids in the film (the temptation was right to Edward – he totally slammed Bella – awesome!), here it is a big creature unusual offspring of unprecedented , half-human, half vampire.

What to do?

Would it be first ever abortion where vampire baby instead eats the doctor’s face?

That would be cool.

We do not reveal the outcome of this confrontation with the unknown that will lead the “beautiful” Jacob (Taylor Lautner – trade some of that work-out time to get acting lessons, please) to big arms muscled man to betray his wolf pack to help his beloved, the one that has yet to abandon the damn cold meat of Edward Cullen.

No, I will tell you nothing, because if you are still reading this (at least this far), you will see this pile of shit anyway.

To conclude:

The Twi-tards will fork their money to Summit Entertainment and moisten and stick to the theater seats when Edward sparkles.

The world will continue to turn.

Some idiot will comment that Pattinson is a good actor.

Babies will die.

And later I’ll have to review a hunk of shit called “The Twilight Saga – Breaking Dawn, Part 2”.

The suck of all sucks.

Unless the Mayans are right. My fingers are crossed.

Kimmo Mustonenen – (Kimmo On Kino) – Behind The Proscenium

P.S. Ginner Goodwin – I am sorry. “Once Upon A Time” is no longer in my life. Please find a project that is less annoying so that I may lust to you properly.

The Twilight Saga: Breaking Dawn – Part 2 [REVIEW]

August 26, 2011

Colombiana [REVIEW]

“Colombiana”

With Wit, Reviewed By Kimmo Mustonenen

1992.

Colombia (cocaine, not District of).

The little nine-year Cataleya witnessed the murder of her parents. She manages to escape the slaughter with difficulty and takes refuge in the United States with Emilio, her mobster uncle.

(My mobster uncle was Jarkko – he drowned in a Norwegian fjord smuggling high proof liquor. No movies for Jarkko. Why Norway, Jarkko, why?)

Fifteen years later, she is working for him as a hit-person. Your business card, an orchid drawn on the chest of their victims is a message to the murderers of their parents, because Cataleya’s determination to take her revenge to its logical conclusion.

Even if it means sacrificing everything she loves.

Exactly like James Caan in “Thief”. But with a worse soundtrack (Tangerine Dream FTW!)

Written and produced by Luc Besson, “Colombiana” is one of those crappy ass movies that proves the French film a commercial for American coinage.

Or “The Birdcage” – but much less gay.

With an international cast, led by Zoe Saldana, Jordi Moll and Cliff Curtis, “Colombiana” has a technical bill as carefully as the rest of the production of Besson.

I stand by that statement.

The plot is predictable and tend to be known by all who read bestsellers or industrial enjoy thrillers which today are content to nurture the multiplex.

Zoe Saldana portrays Cataleya Restrepo, a girl so beautiful and smart (but no longer blue… I see you! “Avatar”, you lump heads… ), whose fortunes changed from a tragedy: her parents were murdered in Bogotá by order of a vicious drug dealer. Well mannered drug dealers are not so bad from what I hear.

Since then, Cataleya has learned to handle all types of weapons with two very different purposes.

On the one hand, shines the minions who work in the service of her uncle Emilio (Cliff Curtis).

For another, she spends her free time to settle criminals hoping to find the one that killed their parents, like we all would do, but less pretty.

In short, we have here yet another version of vigilante cool, capable of sacrificing one’s neighbor without entirely losing morality.

Otherwise, there is some relationship between this heroin and other Cataleya invented years ago by Besson: Nikita!

As usual in such films, the atmosphere is a key element. Since the filming took place between Paris, Chicago,Miami,New Orleans and Mexico City, is not surprising that the most characteristic of each of these urban environments come to light in the display.

Of the cities. For our eyeballs.

The director, Olivier Megaton, Olivier Fontana is really called, is part of the Team Besson since he directed “Transporter 3” (poop pile).

For more signs, was also the second unit director of “Hitman” (poop pile), which gives us the key to his specialty: persecutions, parkour (French people climbing walls like tweekers), shootings and, ultimately, all these more or less frenetic sequences that characterize the genre that we occupies.

Summary: Zoe Saldana is a fox.

“Columbiana”, though made by people who make poop piles, is not a poop pile. WHAT?!

One thumb has a stiffie, the other is neutral, like Switzerland without the snobbery.

Netflix for sure.

Save your money for Apollo 18. At the trailer, I made my own poop pile… a poop pile for good!

Kimmo Mustonenen – (Kimmo On Kino) – Behind The Proscenium

P.S. September 20^th brings us new Glee. Lindsay, don’t let me down.