Sharon Waxman – Page 2

April 1, 2011July 19, 2012

Broadcast Networks – On Death And Dying

For Broadcast Networks, the end is coming and it’s time for them to Accept their fate. (The 2012 Emmy Nominations only strengthen this point.)

This isn’t to say ABC, CBS, FOX, MBS, NBC, Univision and The CW (and similar Broadcast Networks around the world) are going away. They’ll just have to transform into one of the million other “Channels” out there – high profile Channels with good programming and production values – but still just another button on the Great Media Grid like ESPN, TNT, USA, Oxygen, Justin.tv (indeed), YouTube, etc.

According to a model developed by Elisabeth Kubler-Ross in her 1969 book “On Death and Dying”, there are Five Stages of Grief.

Over the past 20 years or so, Broadcast Networks have bounced around the First Four Stages in an effort to fight off the inevitable:

1. Denial: Broadcast Networks will always be the only place to reach a large audience. We don’t see that ever going away. No one is going to watch the shit they make on Cable. It’s nothing but George Foreman Grill infomercials and drunken Jackass teenagers riding their bikes into traffic.

2. Anger: It’s just not right! They make such crap on Basic Cable (again – see Emmy Nominations). How are they pulling in more advertising than us?! I don’t give a shit about the ratings of “Jersey Shore”, the content on Broadcast Networks is far superior and always will be. Goddamnit! And don’t you dare mention that fucking “Mad Men” to me again! And Hell will freeze over before we ever produce a series for that inferior platform. There’s no syndication value. It’s bullshit!

3. Bargaining: The playing field is not level. It’s not fair. We really need you cable and satellite operators to pay us to retransmit our signal. Don’t forget – we’re the Broadcast Networks. If you give us two revenue streams, we’ll give you really great programming with high ratings and advertising rates that are healthy for everyone. Don’t you realize there is only one place to reach a large audience?

4. Depression: Remember when Saturday night was the greatest night on television – when three networks (and three network Presidents) controlled every household? Everyone had incredible line-ups. It will never be that good again. Thursday night used to be a place where advertisers needed us to launch a new movie or car or department store sales. Those were the days. Oh well, at least we still have our beach houses and court side basketball seats.

5. Acceptance: It’s going to be okay. It’s not so bad to be equated with TBS. I mean, they have Conan O’Brien now. They are sort of like a Broadcast Network. And we’re still bigger than most of the other Channels. And we’ll get the Super Bowl back one day (after ESPN and The Food Network have their turns). It’s all good.

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The death of Broadcast Networks may not happen in the next five years but it IS going to happen and the sooner we put them out of their misery and end that painful decline, the faster the industry can heal and begin to grow again.

And even though every year in May, the upfronts always seem to break new records (and the Broadcasters will shout that fact from the rooftops in the Trades), make no mistake, nothing can be done to save Broadcast Networks.

It’s an old concept in a new world.

For old school TV executives and their Madison Avenue chronies who are accustomed to lavish Upfront Presentations at Carnegie Hall, Madison Square Garden and the International Space Station, it’s time to just let it go. The Days of Wine and Roses and Fine Dining and Muffin Baskets are over.

Broadcast Network defenders (yes, Les Moonves, this means you) are finding fewer and fewer allies in their argument. Face the facts, ESPN and Google are more valuable than CBS. It may not seem fair – but there are many new Sheriffs in town. Remember, if you’re in a business where single-digit drops in viewers is the New Growth, your business sucks.

So what are the Broadcast Networks supposed to do next? Very simple. Just accept equal footing (two revenue streams – subscription and advertising – enough with this silly Retrans business that no one can understand) and continue to run your business as just another Channel on the Grid.

In the future (and it’s coming), with a channel lineup grid that will be sorted Alphabetically and not by “importance” or “size” (and will include TV channels, websites and whatever else comes up) programming is, as it always has been, King .

And may the best programmer win.

Jill Kennedy – OnMedea

March 31, 2011October 13, 2011

Mob Wives – The Future Of Media Is Here!

UPDATE: Lynda Milito, the widow of murdered Gambino capo Louie Milito and author of the Cosa Nostra tell-all “Mafia Wife: My Story of Love, Murder and Madness,” has hit producers of the all-in-the-crime-family reality series with a cease-and-desist letter.

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Finally, thanks to Ben Silverman and Harvey Weinstein, the future of media is clear.

I believe “Mob Wives” has proven to be their finest hour and is, most likely, their legacy. Congratulations guys.

(UPDATE SIDE NOTE: Don’t worry about that little ‘cease-and-desist’ thing – I think there are quite a few people on “Mob Wives” that can take care of that problem… if you know what I mean.)

I certainly hope as the show goes on you guys will order a step up in the violence. We all want more real life Mafia Hits and a lot of gratuitous violence (to accompany all that built in product placement that Electus will bring to the project).

I think I know why Ben was brought in by Harvey to help produce. If, for whatever crazy reason, this show gets canceled, I can imagine how the conversation between Harvey and Ben will go:

Harvey (on the phone): Hey Ben!

Ben (Eurotrash music thumps in the background): Huh?!

Harvey: I got a call from VH1, “Mob Wives” is canceled – I would like you to tell the “Mob Wives” in person.

Ben: We can’t cancel “Mob Wives” – their husbands are violent criminals, they’ll come after us. They need that $20,000 a week we pay them for money laundering.

Harvey: It’s over, Ben. This was your dumb idea. You tell them.

Ben: It wasn’t my–

Harvey: Shut up, Ben. Do it! And give me Barry Diller’s number, I need to pay the light bill.

Five minutes later, Ben makes a call:

Ricky Van Veen: Hee hee heeee!! Ah-oo-gah! You’ve got Rickaaaiiiee–!!

Ben: Cut the shit, Ricky. I need you to do me a favor. You know that show “Mob Wives” – it’s canceled. There’s a meat locker downtown where we have our production meetings, go down and tell them the show is toast.

Ricky Van Veen: No problema, hip master B!
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At least, I THINK that’s how it would go.

I look forward to a further expansion of the “Mob Wives” brand and would love to see more wives of violent people. It’s just great television.

Maybe “Serial Killer Wives”, “Terrorist Wives”, “Dentist Wives” – it’s just an endless brand and really plays into Ben Silverman’s vision of the future of media.

Ben, dude, you are hitting on all cylinders.

Jill Kennedy – OnMedea

February 18, 2011April 11, 2011

Not ANOTHER Fairy Tale Ending

Adam Fogelson, Alan Spoon, Alexander von Furstenberg, Amanda Seyfried, Andrew Chang, Angela Bromstad, Anil Ambani, Ann Daly, Anne Globe, Ari Emanuel, Arthur Martinez, Barry Diller, Beastly, Ben Silverman, Bob Iger, Brad Grey, Brian Roberts, Brothers Grimm, Bryan Lourd, Chase Carey, Clark Hallren, Comic-Con, Craig Ring, Craig Smith, Dan Satterthwaite, David Geffen, David Rosenblatt, Donald R. Keough, Donna Langley, Dreamworks Animation, Edgard Bronfman, Electus, Ezra Kucharz, fairy tale movies, Gemma Arterton, Graham Stanton, Greg Blatt, Greg Morrow, Greg Stevens, Gregg Winiarski, Guillermo Del Toro, Hans Woolley, Hansel & Gretel Witch Hunters, Harry Brittenham, Harry Sloan, Heather O'Conner, Hey Diddle Diddle, Holly Bario, Jack the Giant Killer, Jason Stewart, Jay Herratti, Jeff Sagansky, Jeff Small, Jeff Weiner, Jeff Zucker, Jeffrey Immelt, Jeffrey Katzenberg, Jeremy Renner, Jill Kennedy, Joanne Hawkins, Joey Levin, John Batter, John C. Malone, John Ferriter, John Foley, John Malone, Josh Abramson, Jr., Judson Green, Kara Swisher, Khan Manka, Lew Coleman, Louis Castle, Manka Bros., Mark Sourian, Mark Stein, Melody Hobson, Michael Eisner, Michael J. Montgomery, Michael Schwerdtman, Michael Zeisser, Nathan Myhrvold, Nikki Finke, Notional, On Medea, OnMedea, Paul Allen, Paul Telegdy, Peter Chernin, Phillippe Dauman, Pinnochio, Red Riding Hood, Reliance ADA Group, Rich Sullivan, Richard F. Zannino, Richard Sherman, Rick Finkelstein, Ricky Van Veen, Roger Enrico, Ron Meyer, Rupert Murdoch, Scott Garell, Scott Savitz, Shana Fisher, Sharon Waxman, Snow White and the Seven, Stacey Snider, Steve Burke, Steve Jobs, Steven Spielberg, Strauss Zelnick, Sumner Redstone, Terry Semel, Thomas Freston, Thomas J. McInerney, Tina Brown, Tony DiSanto, Victor Kaufman, Walt Disney

Once upon a time, Hollywood was creatively bankrupt… again. The year was 2011 and poor little Hollywood didn’t know what kind of movies to make.

The heads of the major studios (including Manka Bros. – the owner of OnMedea) knew that a film adaptation of the fairy tale “Alice In Wonderland” made over $1 billion at the box office in 2010 and said “That’s a lot of money.”

So after much thought (or not), Hollywood decided to make EVERY FREAKING FAIRY TALE EVER WRITTEN INTO A MAJOR MOTION PICTURE!

Come on, really?

Every day, I read about another studio doing another fairy tale adaption. And all of them are a DARK, GRITTY version that the “19th century authors originally had in mind”.

Not a fluffy Hollywood squeaky clean version that doesn’t scare our whimpy modern day kids – but a frightening and bloody tale like children used to experience when kids were tough and enjoyed waking up screaming from a horrifying nightmare because of the bedtime story they were read.

To be fair, I think it was a great idea to reimagine Red Riding Hood with a darker tone – which is certainly fitting of the story. And while the trailer looks like a cross between a perfume ad and Twilight, I still believe it’s a solid original concept and should result in strong box office. (I’ll certainly be there opening weekend.)

But then came a fairy tale adaptation tsunami (which includes 3 SNOW WHITES!) that has now completely flooded the town.

Here’s a sampling of what’s coming up:

Jack the Giant Killer (Warner Bros.) – a gritty modern day reimagining of the classic tale.

The Brothers Grimm: Snow White (Relativity) – gritty reimagining starring Julia Roberts as the Wicked Queen.

Snow White and The Huntsman (Universal) – gritty reimagining starring Charlize Theron as the Wicked Queen.

Snow White and The Seven (Disney) – sweet, no gritty, set in 19th century China.

Hansel & Gretel: Witch Hunters (Paramount) – Starring Jeremy Renner, Gemma Arterton (and, no doubt, various star cameos), H&G are now accomplished bounty hunters out to get the witches who nearly killed them years before.

Beastly (CBS Films) – Beauty & The Beast set in high school. I don’t expect much from this one as I’ve already predicted the death of CBS Films in a previous blog.

Pinnochio 3D – a stop motion reimagining of the classic fairy tale. Expect a very dark and disturbing retake on this one as it comes from the genius mind of Guillermo Del Toro. I can already imagine losing sleep after I witness the stop motion, painful transformation of the children into donkeys sequence.

Hey Diddle Diddle (Manka Bros.) – a grim reimagining of the classic bedtime ditty set during the 1930s in a Soviet Union gulag. Why does the cow jump over the moon? Freedom.

Grimm (NBC) – Gritty TV cop drama set in a world where the characters of Grimm’s Fairy Tales actually exist.

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And that’s just in the next couple of years. Just think if these projects make money what we’ll see next:

Pat the Bunny – set in a post-apocalyptic cannibalistic world.

Rumpelstiltskin – featuring the beloved garden Gnomes from Gnomeo & Juliet in their first R-rated turn.

If You Give A Mouse A Cookie – rewritten with darker twists and turns so that it ends in murder.

Etc. etc. etc.

And the sad reality is, I won’t be able to take my five year old daughter to one of them because, if I did, she would wake up screaming in the middle of the night after witnessing Snow White disembowel one of the dwarfs (or something).

But I guess these movies aren’t made for her. They’re Fairy Tales – they’re not made for children for Christ’s sake. They’re made for the guys who go to Comic-Con. And THEY lived happily ever after.

Jill Kennedy – OnMedea

November 15, 2010August 10, 2011

TBS – Go Get Your Shinebox

What is it going to take for TBS (or any other Basic Cable channel) to get a little respect?

I watched the premiere week of Conan and thought it was fine and exactly what I expected (which is a slight disappointment, right?). (Also, why was it on at 10pm on DirecTV when every advertisement in the world says 11pm?… but I digress.)

The one thing that did stand out was the constant bashing of TBS and Basic Cable in general (I know it is a joke, I get it – I also got it in 1985 when the Basic Cable jokes started). But times have changed.

I was a proponent of Conan leaving NBC and for Jeff Zucker to be fired for many MANY reasons (including the handling of the Jay/Conan affair and for having anything to do with Ben Silverman. Please, someone wash everything Ben touched, it’s filthy!).

But, I must say, I’m disappointed with the way Conan has handled the transition to TBS. It was a very difficult decision, I’m sure, but why bash your new home?

Why is Basic Cable still struggling for any sort of respect?

It’s all very reminiscent of the scene from “Goodfellas” with Billy Batts (Frank Vincent) and Tommy DeVito (Joe Pesci) in the bar. Imagine Billy Batts is the “Broadcast Networks” and Tommy DeVito is “Basic Cable”:

Basic Cable: No more shines, Broadcast Networks.

Broadcast Networks: What?

Basic Cable: I said, no more shines. Maybe you didn’t hear about it, you’ve been away a long time. I don’t shine shoes anymore.

Broadcast Networks: Relax, will ya? Ya flip out, what’s got into you? I’m breaking your balls a little bit, that’s all. I’m only kidding with ya…

Basic Cable: Sometimes you don’t sound like you’re kidding, you know, there’s a lotta people around…

Broadcast Networks: I’m only kidding with you. I’m breaking your balls, and you’re getting fucking fresh. I’m sorry. I didn’t mean to offend you.

Basic Cable: I’m sorry, too. It’s okay. No problem.

Broadcast Networks: Now go home and get your fuckin’ shinebox!

Basic Cable: Mother fuckin’ mutt! You fucking piece of shit!

If you remember the movie, Tommy then kicked and stabbed Billy about a thousand times, threw him in the trunk of his car and buried him in some disgusting pit. I’m not saying Basic Cable will completely bury the Broadcast Networks – but it seems to be headed that general direction – so Broadcast Networks had better cut it out with the “shinebox attitude”.

And seriously, to watch Conan, you would think the year is 1985 and the only programming on TBS was really bad VHS copies of really bad 1970s movies and a few Body By Jake infommercials.

This is 2010 and Basic Cable Channels are a key driver and profit center helping to keep the Hollywood machine afloat.

So how about a little respect, Conan? I know you’re only getting $10 million from that suckass TBS that gives you “no budget” (other than a very large one) but come on!

And are you taping this show from some local station in Palmdale or in a very nice soundstage on a very nice Burbank studio lot? And do you have one blimp to promote your show or zero blimps?

And the last I checked, Mad Men on AMC (Basic Cable) won the Emmy for Best Drama; TBS just paid upwards of $2 million/episode for Big Bang Theory (among others); and the ACE Awards (which was a popular punchline for comedians about FIFTEEN YEARS AGO) haven’t been on the air for FIFTEEN YEARS!

I would also argue that with its scripted reruns and movies, TBS and the other top Basic Cable Channels have better daytime programming than any of the Broadcast Station Groups (unless you like Judge shows) and the primetime lineups are equally as creative and catching up in the ratings.

In fact, Broadcast Networks are deep into the 5 Stages of Grief from “On Death and Dying” – and they have been in denial about Basic Cable for years. Retrans is one final pathetic attempt to stay competitive.

So, Conan, I’m sorry you are stuck on lowly TBS when all your life you dreamed of being on NBC (now worth negative $690 million on NBC Universal’s balance sheet) – but the truth is, in today’s media environment, it’s not which channel you are on but the programming you produce.

Remember, even a show shot in a shack in Palmdale can be relevant (and widely seen) today.

Jill Kennedy – OnMedea

P.S. – Why doesn’t anyone ever bash MTV for being “Basic Cable”? Just wondering.

October 1, 2010April 21, 2011

Say It Ain’t So, Tony DiSanto

Seriously? Is this the guy you want to work for? Ugh.

Oh, well… It’s just a shame.

Tony, you have a reputation for being one of the good guys in Hollywood and you’re going to work for Ben Silverman?

Come on, man!

I’m on-board with you wanting to leave MTV and get back to your real passion – being a content producer.

I’m on-board with the company name – DiGa. Di (Santo) and Ga (for partner Liz Gately). DiGa. I’m sure there is also some foreign word that it translates to that gives it another dimension.

What I’m not on-board with is you partnering with Electus.

Every studio in town would most likely want to make a deal with you guys and now you’re stuck going to Holiday parties with Ben Silverman and Ricky Van Veen?

You’re better than that, Tony!

Now, most people who read this blog regularly know that I haven’t been too kind to Mr. Silverman over the past year or so (several examples are listed below)…

Example A; Example B; Example C; Example D; Example E; Example F; Example G; Example H; Example I; Example J; Example K; Example L; Example M; Example N

… but, Tony, you’re being way too nice here. You’re actually giving Ben a hint of credibility. Credibility that he doesn’t deserve.

However, maybe it’s not over.

Perhaps something can be done to stop it… something like Howard Beale in “Network” screaming to “Stop the CCA Deal now!” (fyi, the fictional Saudi Arabian deal with CCA – the parent company of fictional TV network UBS).

If enough people actually care, we could mobilize and march on Electus Headquarters (which I believe is the Wynn Resort Las Vegas) screaming over and over: STOP THE DIGA / ELECTUS DEAL NOW! STOP THE DIGA / ELECTUS DEAL NOW!

Ah, nevermind. Good luck, Tony.

Jill Kennedy – OnMedea

September 23, 2010April 12, 2011

More BS (I Mean Wisdom) From Ben Silverman

Ben Silverman needs to eat. Wild eyed and gulag skinny, Ben took the stage at Sharon Waxman’s “The Grill” (can’t wait to blog about that some day) and continued to tell people he is changing the world.

“I’m not 21 and still in my dorm room, but I think this company has an opportunity to be an enormous company in terms of its profitability. I’ll measure success in terms of impacting the audience, empowering storytelling and making dough.”

That must be so encouraging to Barry Diller. I’m sure he’s licking his chops anticipating those Electus profits. Seriously, where do I sign up? How can I invest? Ben is so focused on making money it doesn’t look like he’s slept a wink or ate a meal in months. I mean, look at him – all disheveled and greasy – that’s the face of success.

The Hollywood lifestyle has really done wonders for him. I need to find out what multivitamin he takes.

From what I gather, here’s what we can look forward to from Ben Silverman and Electus:

“Pedro & Maria” (MTV) brought to you by Proctor & Gamble. Because nothing says Hispanic like Proctor & Gamble. The show is basically a Romeo & Juliet remake (but waaaay cooler than Shakespeare with much better music). I’ll be looking out for a scene in a laundromat where Pedro or Maria are washing clothes with P&G’s All-New Gain detergent with Stain Buster 4X. Or worse, one will text the other “Can U p/u some PROCTOR & GAMBLE GAIN DETERGENT 4 me?”

“Master of the Mix” (MTV) brought to you by Smirnoff Vodka. A reality show DJ competition. Because only the best DJs drink Smirnoff. And, remember, it takes a lot of Smirnoff to become a great DJ.

Shows unlike any we’ve ever seen. Great stuff, Ben.

And these series perfectly embody the Electus manifesto: “Allowing Content Creators and Branding Partners To Reach Audiences Like Never Before”. Because how else is MTV going to reach an audience? Through its massive global reach and international marketing organization? Unlikely.

And there is obviously a lot more to come from Electus. Ben continued: “We have relationships on a profound level with the A-list storytelling matrix in Hollywood and NYC. Our goal is to win Golden Globes.”

Lofty goals indeed, Ben. But, why the fuck not?! Greatness like this only comes around once every million years or so.

So shoot for the moon, Ben, and even if you miss you’ll land among the stars.

Jill Kennedy – OnMedea

August 26, 2010April 26, 2011

Leo Laporte Gets It

… Ben Silverman doesn’t. He really thinks he gets it but we know he doesn’t – and I seriously doubt Mob Wives will get him to the Promise Land of creating a next generation media business model.

But LEO LAPORTE (founder and chief guru of twit.tv – or This Week In Technology) GETS IT!

Please watch this 40 minute speech (which I previously posted in October 2009 – but I think deserves a second look) he gave to the Online News Association and you’ll see what I mean.

Jill Kennedy – OnMedea

August 1, 2010April 12, 2011

Electus – Starring Ben Silverman

Apparently there is a new movie coming out called “Electus” and it looks like it stars Ben Silverman.

This afternoon, I thought I would do a little checking up on Ben’s $100 million dollar company and discovered that, unlike the way the website looked a month ago, there is actually some content now.

Content starring Ben Silverman.

The content is a $100 million dollar sizzle reel with flying headlines glorifying the accomplishments of… Ben Silverman.

I stared at the video, with its horrible techno-pop / Eurotrash soundtrack (though fitting), in amazement. Is this what revolution looks like?

I then went to the other page (yes, there is one other page on the site, you can’t expect too much in one year) and discovered a chart.

A chart that even a freakin’ moron can understand.

How can something that looks so simple (so elegant) and so “old media” change the world in such a profound way?

I’m still trying to process how great it all is.

I’m seriously at a loss for words.

There is only one person on the planet that knows what the future of media looks like. His name is Ben Silverman but he can’t talk right now – he has an early morning call on the set of another sizzle reel he is starring in titled “Managing Expectations”.

Jill Kennedy – OnMedea

June 25, 2010February 8, 2024

Jason Bateman Cuts iPhone Line – Gets Booed

Who cares? He’s a celebrity and celebrities win. Deal with it. No one would care if the Pope or Rupert Murdoch was moved to the front of the line.

I think the ‘booing’ was more because of the Orbit Gum Commercial Jason produced for DumbDumb and Electus than for getting special treatment by a store manager.

I also heard a rumor that at the Apple Store on 5th Avenue in New York, once it was discovered that Ben Silverman was standing in line like a common schmuck, people in front of him laid on the ground. Police then ordered Ben to step over and on their bodies to get to the front. Ben did gladly and was able to get the last phone in stock (which was promptly comped to him by the store because of who he was).

And in Queens, New York, Ricky Van Veen waited in line for over 24 hours and still didn’t get a phone and wasn’t allowed to cut. He also still hasn’t been able to get tickets to Twilight Eclipse.

Jill Kennedy – OnMedea

June 21, 2010April 4, 2011

Electus – COMING SOON!

I see Ben got the message (though the horse and buggy logo doesn’t inspire “future of entertainment”).

“Coming Soon” is a step in the right direction, I suppose. Just be sure and have a “Thanks for the Memories” logo ready once the money is gone.

By the way, I enjoyed the Orbit Commercial. Jason Bateman and Will Arnett are perfect in those commercials. They really made gum chewing cool.

Most gum commercials don’t get a launch party. But most gum commercials aren’t made by Ben Silverman’s company. And with the death of independent film, celebrity parties to show gum commercials just may be the new normal. (The key words here are “gum” and “commercials”.)

Perhaps the next step is for Electus or Notional to come up with an Award that it can give the gum commercial so that Ben can call it “Award Winning” at his next corporate presentation.

And, maybe, down the line, those five minute “gumisodes” can be trimmed down to 30 seconds and shown on regular television – then you’ll really sell some gum. But the fellows at DumbDumb may not think that’s as cool.

Jill Kennedy – OnMedea