Kingdom Of The Planet Of The Apes [REVIEW]

Kingdom Of The Planet Of The Apes – With Wit Reviewed by Kimmo Mustonenen

“Kingdom of the Planet of the Apes” marks a departure from its predecessors, delving deeper into the complexities of humanity’s struggle for survival in a world ruled by apes. Directed by Wes Ball, known for his immersive storytelling in the Maze Runner series, this installment introduces Owen Teague as Noa, a young wanderer navigating the ruins of civilization.

Ball’s direction infuses the film with a palpable sense of urgency, capturing the tension of a world teetering on the brink of chaos. From the overgrown forests to the decaying remnants of human civilization, each frame is meticulously crafted to immerse the audience in the harsh reality of Noa’s journey.

Kingdom Of The Planet Of The Apes

Teague’s performance as Noa is a revelation, conveying a raw vulnerability tempered by an indomitable spirit. His chemistry with the enigmatic Caesar, portrayed with gravitas by Andy Serkis, adds depth to the narrative, exploring themes of trust and redemption in the face of overwhelming adversity.

As Noa and his unlikely allies traverse the Forbidden City, the sense of danger is palpable, thanks to Ball’s deft hand behind the camera. Every encounter with the hostile forces of the ape kingdom is fraught with tension, keeping the audience on the edge of their seats until the climactic final showdown.

“Kingdom of the Planet of the Apes” is a triumph of visual storytelling, blending heart-pounding action with thought-provoking themes.

Manka Bros., Khan Manka, Behind The Proscenium, Kyrle Lendhoffer, Reese Witherspoon, Water For Elephants, Robert Pattinson, Christoph Waltz, Paul Schneider, Jim Norton, Hal Holbrook, Mark Povinelli, Richard Brake, Stephen Monroe Taylor, Ken Foree, Scott MacDonald, James Frain, Sam Anderson, John Aylward, Brad Greenquist, Tim Guinee, Donna W. Scott, E.E. Bell, Kyle Jordan, Aleksandra Kaniak, Ilia Volok, Bruce Gray, Jim Jansen, James Keane, Ivo Nandi, Karynn Moore, Andrew Connolly, Doug McDougal, Tracy Phillips Rowan O'Hara, Water for Elephants, Tai, Uggie, Ice, Sita Acevedo, Danny Castle, Michael Coronas, Aloysia Gavre, Francis Lawrence, Andrew R. Tennenbaum, Erwin Stoff, Gil Netter, Kevin Halloran, Alan Edward Bell, Ana Maria Quintana, Chad Holmes, David Crank, Denise Chamian, Molly Allen, Sasha Veneziano, Kimmo MustonenenKimmo Mustonenen, Behind The Proscenium

Stereophonic [REVIEW]

Stereophonic – Reviewed by Kyrle Lendhoffer, Behind The Proscenium: Broadway Beat

In the bustling heart of Broadway, where the lights never dim and the melodies dance through the air like spirits of pure joy, there emerges a theatrical gem that demands not just applause, but reverence.

“Stereophonic,” crafted by the masterful David Adjmi with melodies that soar to celestial heights by the virtuosic Will Butler, and helmed with precision by the visionary Daniel Aukin, is a symphony of storytelling that transcends the mere boundaries of stage and time.

In a whirlwind of pulsating beats and poignant narratives, Adjmi’s pen waltzes through the intricacies of human connection with a finesse that is both enchanting and profound. Each character, a melody in their own right, sings with a resonance that echoes in the soul of every audience member, weaving a tapestry of emotions that ranges from the jubilant crescendos of triumph to the haunting whispers of vulnerability.

‘Stereophonic’ – Golden Theatre – New York, NY

But it is not merely the script that captivates; it is the marriage of words and music that elevates “Stereophonic” to celestial heights. Will Butler’s compositions are nothing short of celestial marvels, each note a brushstroke on the canvas of the heart. From the foot-stomping anthems that ignite the stage with fiery passion to the tender ballads that tug at the strings of the soul, Butler’s melodies are a testament to the enduring power of harmony.

Under the masterful direction of Daniel Aukin, the world of “Stereophonic” comes alive with a vibrancy that is palpable. Aukin’s keen eye for detail and unwavering commitment to authenticity infuses every scene with a sense of urgency and vitality, drawing the audience into a realm where dreams collide with reality and the boundaries between the two blur into oblivion.

‘Stereophonic’ – Golden Theatre – New York, NY

The cast (Will Brill, Andrew R. Butler, Juliana Canfield, Eli Gelb, Tom Pecinka, Sarah Pidgeon and Chris Stack) is perfection. All I want to hear on Tony Award night is ‘The winner for Best Actor in a Play is THE CAST OF STEREOPHONIC’ and ‘The winner for Best Actress in a Play is THE CAST OF STEREOPHONIC. Full stop. You can’t choose one of the the other in this equisite ensemble.

Indeed, to experience “Stereophonic” is to embark on a journey of the senses, where the heart sings in harmony with the soul, and the spirit soars to unimaginable heights.

It is a testament to the transformative power of theater, where words become music, and music becomes magic. So, let the curtains rise, and let the melodies wash over you like a gentle breeze on a warm summer’s night. For in the world of “Stereophonic,” the stage is set, and the symphony of life awaits its eager audience.

Kyrle Lendhoffer, Behind The Proscenium: Broadway Beat