Electus – OnMedea

November 22, 2013May 12, 2014

The Great Media Bloodbath of 2014

5/12/14 UPDATE: AT&T to acquire DirecTV! Lock the doors – it’s scary out there.

2/12/14 UPDATE: Holy Crap, 2014 just got a whole lot uglier (and it was already hideous) with the announcement of Comcast acquiring Time Warner Cable!

ORIGINAL POST:

It’s coming.

Holy shit is it coming.

Millions are getting pummeled with a horrible winter but brace yourselves further, because you are in for a shitstorm of job cuts in 2014.

It will not be pretty.

It seems that media company CEOs are hell bent on proving to Wall Street that their companies can be growth companies.

Unless they fire every employee and start a new company by themselves in a garage, they cannot be growth companies the way Wall Street would like.

20% margins just will never happen again in the movie, TV, print, or music industries – so deal with it.

But these CEOs are guys (all guys) who think they can do anything.

But they will fail.

And then they’ll CUT.

And… it will not be pretty.

Tribune got things started.

Sony will be next.

My company’s CEO has called 2014 “The Year of the Hammer.”

No one will make it through unscathed.

First to go will be the packaged media folks. Those who support the production and distribution of DVDs and CDs and magazines, etc.

Gone.

Next will be the slow growth businesses – like movies and Broadcast TV production (serious like a heart attack).

Slates will be slashed, storytelling risk-taking will cease to exist.

Since no one can seem to do comedy anymore on Broadcast, they will be relegated to the epic mini-series format like “Under The Dome” and live Sports to stay afloat.

Then, finally, the low margin businesses will be hit – like console games. With the exception of a few huge titles, it’s a tough business and it certainly doesn’t help these overly-ambitious / delusional CEOs hit their targets.

So what’s going to be left? TV production for cable and Over-The-Top (OTT).

Why TV gets ownership of Internet content production is baffling to me. But they do.

By the end of 2014, giant media companies with their film studios, broadcast networks and massive real estate leases will be much MUCH leaner and the quality of the product will be much MUCH worse.

Hey, but a point of margin here and a point of margin there adds up to… 2 points.

But lighten up, Spring is coming.

Jill Kennedy – OnMedea

February 27, 2013February 27, 2013

Stuck Between Old and New Media

Allen & Company retreat, Ari Emanuel, Barry Diller, Ben Silverman, Bob Iger, Carol Bartz, DumbDumb, Electus, Eric Schmidt, Gina Bianchini, Herb Allen, Herb Allen Sun Valley Conference, Herbert Allen, Jeff Bewkes, Jeff Weiner, Jeff Zucker, Jeffrey Immelt, Jerry Yang, Khan Manka, Lady Gaga, Leslie Moonves, Lloyd Grohl, Manka Bros., Marissa Mayer, Mark Pincus, Mark Zuckerberg, Peter Chernin, Phillippe Dauman, Reid Hoffman, Richard Parsons, Ricky Van Veen, Rupert Murdoch, Sergey Brin, Sheryl Sandberg, Steve Jobs, Sun Valley Retreat, Sun Valley Retreat 2010, Terry Semel, World's Largest Media Company, Chase Carey, James Murdoch, Elisabeth Murdoch, Lachlan Murdoch, Jim Gianopulos, Joel Klein, Jon Miller, Steve Burke, Michael Angelakis, Leslie Moonves, Philippe Dauman, Jeff Bewkes, John Martin, Howard Stringer, Rob Wiesenthal, Michael Lynton, John Malone, Greg Maffei, Haim Saban, David Zaslav, John Hendricks, Mike White, Edgar Bronfman, Len Blavatnik, Tim Armstrong, Peter Chernin, Tom Freston, Carol Bartz, Jerry Yang, Mark Pincus, Owen Van Natta, Brian Roberts, Jason Kilar, Wayne Willich, Reid Hoffman, Harvey Weinstein, Diane Von Furstenberg, Andrew Mason, Jason Kilar, Ben Horowitz, Gina Bianchini, Mark Pincus, Ali Pincus, Robert Wiesenthal, Tom Freston, Bing Gordon, Bill Gates, Chris Christie, Martin Sorrell, Eric Lefkofsky, Oprah Winfrey, Jeff Bezos, Tim Cook, Cory Booker, Michael Bloomberg, Joel Klein, Lachlan Murdoch, James Murdoch, Bobby Kotick, Marc Andreessen, Peter Thiel, Dick Costolo, Ross Levinsoh, Paul Sagan, Leslie Moonves, Tim Armstrong, Glenn Britt, Donald Graham, Kazuo Hirai, Howard Stringer, Jae-Yong Lee, Bryan Lourd, Ron Meyer, Brad Grey, Edmund Lee, Anthony Palazzo, John Malone, Chris Silbermann, Jim Berkus, Roger Goodell, David Stern, Chris Christie, Julius Genachowski, Erin Burnett, Charlie Rose, Becky Quick, Todd Davidson, Reed Hastings, Terry Semel, Jerry Yang, Ken Allen, Laurene Powell Jobs, Jean-Bernard Levy, Lucian Grainge, Jonathan Boyar, Mark Pincus, Michael Lynton, Mandy Tavakol, Mario Monti, Dave DeVoe, John Martin, Brian Roberts, David Zaslav, Mel Karmazin, Carol Bartz, Scott Thompson, Jason Kilar, King Abdullah II, Queen Rania, Queen Noor, #sv12, #Sunvalley2012, #allenco, Robert Johnson, Anne Sweeney, Brian Grazer, Michael Ovitz, Hiroshi Mikitani, Owen Van Natta, Don Mattrick

Hollywood is stuck.

New York is stuck.

Silicon Valley is stuck.

No one can really do anything too exciting because old media is still hanging around – refusing to give up the crown.

Don’t get me wrong – OLD MEDIA IS DYING – but they’re not dead yet.

DVDs are dying – but they’re not dead yet.

We can assume that digital downloads and streaming will be the format of choice in the future – but we don’t know how it will all be quantified. Will people buy digital movies and store them in the cloud using UltraViolet and iTunes or just rent from Redbox and subscribe to Netflix?

Broadcast Networks ARE dying – but they’re not dead yet.

Will YouTube become a go to destination for entertainment on par with broadcast and cable channels? OK, that’s easy – YES – and soon.

Will Netflix realize its dream and become another HBO? Probably not. Just because “House of Cards” sort of works doesn’t mean the next five or ten shows will.

Printed books are dying – but they’re not dead yet. Will eBooks be enough to sustain an entire industry? (And Gay Moroccan Poetry definitely isn’t going to turn things around.)

Magazines are dying – YEP, they’re pretty much dead. And the online future of magazines isn’t bright at all.

Same with printed newspapers. And newspapers online will not be able to cover the costs at their current levels – so look for further contraction of that industry.

Theatrical Distribution of movies and events is most likely here to stay when many thought a couple of years ago that the format would die (though 3D WILL die).

Even Facebook and LinkedIn feel like old school media companies that are wearing out their welcome. They’ll eventually go out of business. In the meantime, they’ll just stick around and be as boring as ever.

How crazy is it that the Music Industry almost seems relatively healthy (after a decade of torture and pain)? As horrible as was, at least they’ve made the transition to digital – and now, though smaller, they’re actually growing again. But for how long? Nobody knows.

It’s limbo.

We can’t see what the future will be because the past won’t go away.

Too many unanswered questions.

With everything so completely up in the air, it’s a terrible time to be in the media business.

Jill Kennedy – OnMedea

December 18, 2012December 23, 2012

2013: Endgame For Moguls

Old Hollywood just got another year older and closer to death.

In fact, it’s getting harder and harder for Old Hollywood to get out of bed in the morning.

Food doesn’t taste as good. Hangovers are a daily occurrence.

In short, Old Hollywood is not well.

And with each passing year, as movie studios and broadcast networks become increasingly irrelevant, my thoughts are about real estate.

What is going to happen to all those soundstages and sprawling campuses scattered around Los Angeles and the world when no one needs them anymore?

Soundstages built in the early 20th century by visionaries from Poland, Hungary, New York and Kansas City.

Clearly they won’t be used as much in the future as production costs for high quality content continue to drop and new visionary kids from everywhere else in the world are able to compete head-to-head with the best Hollywood writers and directors.

Perhaps they will be torn down and apartments built. But apartments in those areas are for young writers and actors who move to L.A. to chase that Hollywood dream.

They don’t have to move here anymore.

Perhaps one studio will be turned into a museum of what Hollywood used to look like.

It’s a lot of land, man, and the shopping mall business isn’t so good these days either.

It’s going to be a real problem one day.

As I said earlier this year, YouTube’s Original Content Strategy Is Working and that should put every remaining media mogul on high alert.

The 1975 when millions of families crowded the television on a SATURDAY NIGHT to watch one of the three networks is over.

Now, in all likelihood, a family of five is watching or doing five different things on a Saturday night (and the rest of the week for that matter).

And this has been true for a few years.

In 2013, another profound and symbolic pillar will crumble in the epic story of the Decline and Fall of the Hollywood Empire.

The Mogul.

2013 will see most of the remaining media moguls pathetically fade away from relevance with little fanfare. And that’s sad.

WHO IS LEAVING?

1. Sumner Redstone – Many would say he has already left (despite his attempt to look youthful with that shocking sprayed on orange hair). Sumner has desperately clung to power just as he clung to the side of the hotel ledge years ago to survive a fire. Sumner will be the first to leave in 2013 either by death or senility (though many would argue he has been dead and senile for the past 25 years).

2. Rupert Murdoch – Enough with this guy and his phone tapping and continued interest in buying newspapers. He’s done. There is an outside chance the family empire could continue if Rupert appointed his daughter Elisabeth to the top job (I would buy the stock if that happened). But his continue insistence on giving his idiot sons top jobs will, no doubt, destroy all that he spent his entire life building.

3. Barry Diller – Barry Diller is just tired of it all. Does anyone really think he is excited about owning Ben Silverman’s ridiculous company or CollegeHumor or The Daily Beast or Zwinky or Sports Pickle? Sail away, Barry. The media world no longer needs you. You had a good run. Now go get drunk.

4. Jeffrey Katzenberg – The last mogul standing of DreamWorks SKG (one of the last valiant attempts made to build a true media empire like the old days), Katzenberg will sell DreamWorks Animation for a few billion less than he would have hoped and leave the Hollywood scene. He will go on to become equally annoying in the Art Collection scene.

CLINGING TO POWER

1. The Weinstein Brothers (Harvey and Bob) – Despite several high profile movies (Silver Linings Playbook, The Master, Django Unchained) that will probably win quite a few awards this season, the Weinsteins are working with a business model from 1985. Attempted diversification into TV, publishing and interactive nearly cost them everything a few years ago. What they know is how to buy, market and get Awards for small to medium sized movies. And we know where that business is headed.

2. Ryan Kavanaugh – Calling him a mogul is generous (to say the least). Attempted mogul more like it. For some reason people keep giving him money. Hopefully, that stops soon and he is forced to land his helicopter not in Beverly Hills but somewhere out in Palmdale where he can live out his existence with a few other characters from “Day of the Locust.”

WHO IS STAYING?

Khan Manka, Jr. – Despite horrible performances year-over-year in both film and television (and publishing and music, etc.), Khan Manka, Jr. remains firmly at the top of the world’s largest media company. Even though he publicly states how much he hates the job and would rather be at his house in the Seychelles, he continues to stay year-after-year and I don’t see that changing anytime in the near or far future.

2. Thomas Tull (Legendary) – Even though Legendary is more of a high-end financing and production outfit than a media empire, Tull is eyeing much larger things and has the money to do it. How far he actually takes the media empire concept is the question. Is Legendary a new DreamWorks or actually something that will be successful?

3. Hed family of Rovio (Angry Birds) is the closest thing we have these days to a new generation media mogul (and I wish Raj, Mikael and Niklas Hed nothing but the best. DON’T SELL – BUILD!). Like Walt Disney and George Lucas before them, the Heds have a real chance to build an empire from a single group of characters. Their passion and ambition is infectious and they see enormous potential while others laugh in their face. The perfect scenario for global conquest.

—————–

So, 2013, endgame for moguls.

The big ones will fall.

Some smaller ones may rise (on a lower scale).

It will never be the same.

Where is Ted Turner when you really need him?

Jill Kennedy – OnMedea

P.S. – John Malone and Brian Roberts may be considered moguls in today’s terms. I just find them too boring to write about.

July 6, 2012October 17, 2012

YouTube’s Original Content Strategy Is Working

Manka Bros., Khan Manka, OnMedea, Jill Kennedy, YouTube Original Channels, Google, Larry Page, Eric E. Schmidt, Sergey Brin, Nikesh Arora, David Drummond, Patrick Pichette, Alan Eustace, Amit Singhal, Andy Rubin, Dennis Woodside, Jeff Huber, Kent Walker, Laszlo Bock, Rachel Whetstone, Salar Kamangar, Shona Brown, Sridhar Ramaswamy, Sundar Pichai, Susan Wojcicki, Urs Hoelzle, Vic Gundotra, L. John Doerr, Diane B. Greene, John L. Hennessy, Ann Mather, Paul S. Otellini, K. Ram Shriram, Shirley M. Tilghman, Hank Green, Kim Rosen, Alex Gibney, Gilbert Gottfried, Richard Belzer, Robert Kyncl, John Green, Felicia Day, Jennifer Garner, America Ferrera, Gotham Chopra, Deepak Chopra, Jon Avnet, Amy Poehler, Rainn Wilson, Jay-Z, Rodrigo Garcia, Virginia Madsen, Julia Stiles, ClevverStyle, Fawn, HelloStyle, Look TV, The Stylish, u look haute, my damn channel, the onion, danceon, ds2dio, american hipster, awesomeness, bammo, blackbox tv, geek & sundry, mymusic, the nerdish channel, cartoon hangover, yomyomf, young hollywood network

That’s a frightening headline for the Hollywood studios.

It wasn’t supposed to work.

It was an ill-planned experiment that was supposed to fail.

Seriously, who would watch that crap?

Well… give one point to Silicon Valley in the Great Content Wars of 2012.

(This doesn’t mean I’m giving any sort of credit to that jerk Paul Graham – who issued a war on Hollywood. Graham and Y Combinator, in my opinion, represent all that is bad in Silicon Valley.)

When YouTube announced last year that they would put up $100 million dollars to fund original content channels, no one in Hollywood gave it much notice.

What most people expected was something like Paul Rudd walking around, eating Doritos and throwing out non-sequitors.

Basically, that no one would give a shit or watch – and if they did, big companies certainly wouldn’t throw any advertising money at it.

“We’re saving our big dollars for high-quality, professional Hollywood content, goddamnit!” (Imagine them saying it with big cigars in their mouths for greater effect.)

Cut to one year later and there is something real going on at YouTube – and they are just getting started (see all the “Coming Soon” labels on the left graphic of the channels yet to launch).

Channels are launching with the buzz normally generated for broadcast TV or feature film premieres – and for a lot less money.

Here’s a snapshot of the numbers (July 4, 2012). These are significant numbers.

Granted, this new “premium” content on YouTube is NOTHING EVEN CLOSE to the quality of a major studio feature film or TV series. Everything about it screams “slapped together.”

So if that’s true, then why should Hollywood be scared?

Because the generation growing up with YouTube does not distinguish between NBC, ESPN, Hulu, iPhone Apps, etc.

Eyeballs can only look so many places at one time and Broadcast Networks are asking you to keep them locked for three hours at a time (and watch the ads).

That’s fine for my mom (and, frankly, fine for me, too – though my iPhone is in my hand while I watch) but not fine for my daughter.

No chance does she one day turn to me and say “You know what, mom? I’ve become a Broadcast Network junkie. Those shows are what I love to watch the most.”

And this is true all around the world.

The kids who are playing online games, watching videos and surfing around the various social networks are not suddenly going to watch Broadcast Networks when they turn 30.

“Now that I’m older and finished with my wandering gadgets, I’m ready to settle in my easy chair and watch quality programming and check out some of the interesting advertising that happens during those shows.”

Never going to happen.

And, of course, duh, the big media companies know this is never going to happen.

But here’s the kicker: Most who grew up with the Internet really don’t care about quality. If they did, Zynga would have never become popular and MP3s would have been shunned immediately for their lack of decent fidelity.

The youth of the world have been raised not to care about such things (of course, I realize there are exceptions).

A couple of years ago, I wrote a piece called “Broadcast Networks: On Death and Dying” and regardless of the few breakout hits that do exist on Broadcast (which results in big profits from International markets and off-net syndication), it’s really expensive content to produce and it’s just not a long-term strategy.

But don’t get me wrong – studios would be foolish to give up this extremely profitable business model while the market is still there. (“Two Broke Girls” just got $1.5 million an episode from TBS – who could give that up?!)

It’s a real conundrum.

Hollywood studios can’t abandon a dying business when it’s still so profitable. But they can’t plan for the future – because the future is the death of their current business model.

And attempting to replicate what YouTube is doing would be a downright embarrassment for studios used to creating such high-priced, high-quality content.

It would be quite a step down.

Next year is crucial for content business. Trends may become irreversible and the next ten years could become crystal clear.

It is possible that both worlds can exist and make a lot of money (one with super high margins, the other with less).

The ratings for this year’s crop of Broadcast fall premieres will be heavily scrutinized. (October 17 update: Ratings have started off terrible with all networks except NBC experiencing double-digit declines without much hope for improvement.)

New shows need to emerge more than they ever have in the history of television (no platitudes here, man). Syndication pipelines need to remain full with bidding wars from multiple channels and station groups.

If that happens, old media and the current way of operating survives for another five years or so.

If not, there’s only so many more spring upfronts that advertisers will show up for.

Next year, I guarantee, the YouTube upfront presentation will get as much press as CBS’ upfront – regardless of how many more stars CBS pulls onto the stage.

Why is that?

Because it’s new. It’s exciting. And new and exciting always wins.

And, remember, this is a reality TV world (created by Hollywood) where everyone can be a star.

And now those stars don’t need Hollywood anymore.

Jill Kennedy – OnMedea

March 31, 2011October 13, 2011

Mob Wives – The Future Of Media Is Here!

UPDATE: Lynda Milito, the widow of murdered Gambino capo Louie Milito and author of the Cosa Nostra tell-all “Mafia Wife: My Story of Love, Murder and Madness,” has hit producers of the all-in-the-crime-family reality series with a cease-and-desist letter.

————————————————

Finally, thanks to Ben Silverman and Harvey Weinstein, the future of media is clear.

I believe “Mob Wives” has proven to be their finest hour and is, most likely, their legacy. Congratulations guys.

(UPDATE SIDE NOTE: Don’t worry about that little ‘cease-and-desist’ thing – I think there are quite a few people on “Mob Wives” that can take care of that problem… if you know what I mean.)

I certainly hope as the show goes on you guys will order a step up in the violence. We all want more real life Mafia Hits and a lot of gratuitous violence (to accompany all that built in product placement that Electus will bring to the project).

I think I know why Ben was brought in by Harvey to help produce. If, for whatever crazy reason, this show gets canceled, I can imagine how the conversation between Harvey and Ben will go:

Harvey (on the phone): Hey Ben!

Ben (Eurotrash music thumps in the background): Huh?!

Harvey: I got a call from VH1, “Mob Wives” is canceled – I would like you to tell the “Mob Wives” in person.

Ben: We can’t cancel “Mob Wives” – their husbands are violent criminals, they’ll come after us. They need that $20,000 a week we pay them for money laundering.

Harvey: It’s over, Ben. This was your dumb idea. You tell them.

Ben: It wasn’t my–

Harvey: Shut up, Ben. Do it! And give me Barry Diller’s number, I need to pay the light bill.

Five minutes later, Ben makes a call:

Ricky Van Veen: Hee hee heeee!! Ah-oo-gah! You’ve got Rickaaaiiiee–!!

Ben: Cut the shit, Ricky. I need you to do me a favor. You know that show “Mob Wives” – it’s canceled. There’s a meat locker downtown where we have our production meetings, go down and tell them the show is toast.

Ricky Van Veen: No problema, hip master B!
—————————————–
At least, I THINK that’s how it would go.

I look forward to a further expansion of the “Mob Wives” brand and would love to see more wives of violent people. It’s just great television.

Maybe “Serial Killer Wives”, “Terrorist Wives”, “Dentist Wives” – it’s just an endless brand and really plays into Ben Silverman’s vision of the future of media.

Ben, dude, you are hitting on all cylinders.

Jill Kennedy – OnMedea

October 1, 2010April 21, 2011

Say It Ain’t So, Tony DiSanto

Seriously? Is this the guy you want to work for? Ugh.

Oh, well… It’s just a shame.

Tony, you have a reputation for being one of the good guys in Hollywood and you’re going to work for Ben Silverman?

Come on, man!

I’m on-board with you wanting to leave MTV and get back to your real passion – being a content producer.

I’m on-board with the company name – DiGa. Di (Santo) and Ga (for partner Liz Gately). DiGa. I’m sure there is also some foreign word that it translates to that gives it another dimension.

What I’m not on-board with is you partnering with Electus.

Every studio in town would most likely want to make a deal with you guys and now you’re stuck going to Holiday parties with Ben Silverman and Ricky Van Veen?

You’re better than that, Tony!

Now, most people who read this blog regularly know that I haven’t been too kind to Mr. Silverman over the past year or so (several examples are listed below)…

Example A; Example B; Example C; Example D; Example E; Example F; Example G; Example H; Example I; Example J; Example K; Example L; Example M; Example N

… but, Tony, you’re being way too nice here. You’re actually giving Ben a hint of credibility. Credibility that he doesn’t deserve.

However, maybe it’s not over.

Perhaps something can be done to stop it… something like Howard Beale in “Network” screaming to “Stop the CCA Deal now!” (fyi, the fictional Saudi Arabian deal with CCA – the parent company of fictional TV network UBS).

If enough people actually care, we could mobilize and march on Electus Headquarters (which I believe is the Wynn Resort Las Vegas) screaming over and over: STOP THE DIGA / ELECTUS DEAL NOW! STOP THE DIGA / ELECTUS DEAL NOW!

Ah, nevermind. Good luck, Tony.

Jill Kennedy – OnMedea

September 23, 2010April 12, 2011

More BS (I Mean Wisdom) From Ben Silverman

Ben Silverman needs to eat. Wild eyed and gulag skinny, Ben took the stage at Sharon Waxman’s “The Grill” (can’t wait to blog about that some day) and continued to tell people he is changing the world.

“I’m not 21 and still in my dorm room, but I think this company has an opportunity to be an enormous company in terms of its profitability. I’ll measure success in terms of impacting the audience, empowering storytelling and making dough.”

That must be so encouraging to Barry Diller. I’m sure he’s licking his chops anticipating those Electus profits. Seriously, where do I sign up? How can I invest? Ben is so focused on making money it doesn’t look like he’s slept a wink or ate a meal in months. I mean, look at him – all disheveled and greasy – that’s the face of success.

The Hollywood lifestyle has really done wonders for him. I need to find out what multivitamin he takes.

From what I gather, here’s what we can look forward to from Ben Silverman and Electus:

“Pedro & Maria” (MTV) brought to you by Proctor & Gamble. Because nothing says Hispanic like Proctor & Gamble. The show is basically a Romeo & Juliet remake (but waaaay cooler than Shakespeare with much better music). I’ll be looking out for a scene in a laundromat where Pedro or Maria are washing clothes with P&G’s All-New Gain detergent with Stain Buster 4X. Or worse, one will text the other “Can U p/u some PROCTOR & GAMBLE GAIN DETERGENT 4 me?”

“Master of the Mix” (MTV) brought to you by Smirnoff Vodka. A reality show DJ competition. Because only the best DJs drink Smirnoff. And, remember, it takes a lot of Smirnoff to become a great DJ.

Shows unlike any we’ve ever seen. Great stuff, Ben.

And these series perfectly embody the Electus manifesto: “Allowing Content Creators and Branding Partners To Reach Audiences Like Never Before”. Because how else is MTV going to reach an audience? Through its massive global reach and international marketing organization? Unlikely.

And there is obviously a lot more to come from Electus. Ben continued: “We have relationships on a profound level with the A-list storytelling matrix in Hollywood and NYC. Our goal is to win Golden Globes.”

Lofty goals indeed, Ben. But, why the fuck not?! Greatness like this only comes around once every million years or so.

So shoot for the moon, Ben, and even if you miss you’ll land among the stars.

Jill Kennedy – OnMedea

August 1, 2010April 12, 2011

Electus – Starring Ben Silverman

Apparently there is a new movie coming out called “Electus” and it looks like it stars Ben Silverman.

This afternoon, I thought I would do a little checking up on Ben’s $100 million dollar company and discovered that, unlike the way the website looked a month ago, there is actually some content now.

Content starring Ben Silverman.

The content is a $100 million dollar sizzle reel with flying headlines glorifying the accomplishments of… Ben Silverman.

I stared at the video, with its horrible techno-pop / Eurotrash soundtrack (though fitting), in amazement. Is this what revolution looks like?

I then went to the other page (yes, there is one other page on the site, you can’t expect too much in one year) and discovered a chart.

A chart that even a freakin’ moron can understand.

How can something that looks so simple (so elegant) and so “old media” change the world in such a profound way?

I’m still trying to process how great it all is.

I’m seriously at a loss for words.

There is only one person on the planet that knows what the future of media looks like. His name is Ben Silverman but he can’t talk right now – he has an early morning call on the set of another sizzle reel he is starring in titled “Managing Expectations”.

Jill Kennedy – OnMedea

June 25, 2010February 8, 2024

Jason Bateman Cuts iPhone Line – Gets Booed

Who cares? He’s a celebrity and celebrities win. Deal with it. No one would care if the Pope or Rupert Murdoch was moved to the front of the line.

I think the ‘booing’ was more because of the Orbit Gum Commercial Jason produced for DumbDumb and Electus than for getting special treatment by a store manager.

I also heard a rumor that at the Apple Store on 5th Avenue in New York, once it was discovered that Ben Silverman was standing in line like a common schmuck, people in front of him laid on the ground. Police then ordered Ben to step over and on their bodies to get to the front. Ben did gladly and was able to get the last phone in stock (which was promptly comped to him by the store because of who he was).

And in Queens, New York, Ricky Van Veen waited in line for over 24 hours and still didn’t get a phone and wasn’t allowed to cut. He also still hasn’t been able to get tickets to Twilight Eclipse.

Jill Kennedy – OnMedea

June 21, 2010April 4, 2011

Electus – COMING SOON!

I see Ben got the message (though the horse and buggy logo doesn’t inspire “future of entertainment”).

“Coming Soon” is a step in the right direction, I suppose. Just be sure and have a “Thanks for the Memories” logo ready once the money is gone.

By the way, I enjoyed the Orbit Commercial. Jason Bateman and Will Arnett are perfect in those commercials. They really made gum chewing cool.

Most gum commercials don’t get a launch party. But most gum commercials aren’t made by Ben Silverman’s company. And with the death of independent film, celebrity parties to show gum commercials just may be the new normal. (The key words here are “gum” and “commercials”.)

Perhaps the next step is for Electus or Notional to come up with an Award that it can give the gum commercial so that Ben can call it “Award Winning” at his next corporate presentation.

And, maybe, down the line, those five minute “gumisodes” can be trimmed down to 30 seconds and shown on regular television – then you’ll really sell some gum. But the fellows at DumbDumb may not think that’s as cool.

Jill Kennedy – OnMedea