Bryan Singer – Behind the Proscenium

May 23, 2014June 6, 2014

X-Men: Days of Future Past [REVIEW]

X-Men: Days of Future Past

With Wit, Reviewed By Kimmo Mustonenen

Damn.

Sometimes, a guy, with a drunk mind wants to see a movie.

This is all right.

Why not?

Then comes a movie with before a course in the college of your choice you must have been all night using Adderall because this movie is the final of the second semester.

Damn.

Here we go.

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Did you see X-Men (2000)?

Magneto (Ian McKellen) was boss. His strong was not so strong. He messed up Mrs. Liberty, but with effort that makes one short.

There is no worrying, because Jean Grey (Famke Janssen) is hot.

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X2: X-Men United (2003). Now Magneto can lift tons of shit, with mind thoughts.

He must be having brain push-ups, for his brain moving can now win in the MMA.

This is okey dokey, because of Jean Grey.

She is hot.

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X-Men: The Last Stand (2006). Magneto lifts really big stuff, from far, far away (bridges, submarines).

He is somehow badder, bigger, yet with mad wrinkle-age.

I’m all “eh”, because Phoenix (Famke Janssen) is still for hot.

Except for the dying.

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X-Men Origins: Wolverine (2009).

Really?

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X-Men: First Class (2011). Back in time, Magneto (Michael Fassbender – not naked) has more powers than old-time Magneto in the future.

There is no sense in this to be made. Mystique (Rebecca Romijn) is now Raven (Jennifer Lawrence).

This a trade up.

My man parts approve. Boing!!!

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The Wolverine (2013).

Stinky poop, with everything Japanese except no Godzilla.

Avoid, unless you cannot.

Then see it while retching.

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X-Men: Days of Future Past (2014).

Finally!

We are at the time of the movie for me and the reviewing!

But, sadness, I am almost out of words.

Plot? Shit-tons of plot.

I will sum up in as less words than I can hope to type.

First is the future.

Asshole robots are killing all for just breathing air.

So bad is it all that mutants go to China for figuring out of the crap.

Here, the writers are all “Hey, Kitty Pryde (Ellen Page), we have no original ideas, so, in bad science fiction writer fashion, back in time you send Wolverine’s (Hugh Jackman) thought-essence to.”

It is like J.J. Abrams took a squat on this film from his butt.

The past has wide collars and wider pants legs. It is disturbing.

Mystique turns in to Foxy Brown – this makes my eyes wide, and brings the bottle to my mouth hole.

There is Vietnam, and Magneto (Fassbender again, and still no dangling parts dangling). He killed Kennedy and is now under the Pentagon being punished, very sad.

Now, things are more crazier.

Many things happen.

My brain goes, “slow down X-Men movie, for I have no clues as to what the hell!”

Then there is a Nixon.

Past Magneto can lift an entire stadium! In 1973 – yet in 2000 he cannot. So more brain “what the hell.”

Then I remember!

Ah, there is no sense in comic book movies.

This is not science fiction.

Comic books!

I now forgive.

If infant Magneto can lift planet Earth, do it son! Nothing must be of sense making.

Whew!

No more pressure to care who is who, and who is doing what with super powers.

So I do not harsh my high and enjoy all that is.

What is the meaning, to you, the viewing person, from me, of the writing?

This – two thumbs up.

A lot happens.

If you did not get an A in X-Men 206 (sophomore level, “who the hell are these characters” course) all is OK.

Drink your drink.

Smoke your smoke.

Stare at Jennifer Lawrence.

Then stare at her some more (I did).

It is worth the $12 ($47 if in 3D).

Take it to the bank.

In the past!

I say this in the present.

Kimmo Mustonenen – (Kimmo On Kino) – Behind The Proscenium

P.S. I realize that a Transformer turd movie is sitting on the horizon, looking at my soul. Odin, kill me with fire before I have to look on it to write on it. Please.

Summer is coming…

HEAR/SEE KIMMO’S REVIEW RIGHT HERE!

March 1, 2013

Jack the Giant Slayer [REVIEW]

Jack the Giant Slayer

With Wit, Reviewed By Kimmo Mustonenen

Times have hard.

We know this.

Hollywood then shows us.

We watch The Mr. Oscar Show and strange face “Look At Me, I Am Also Smug Guy Who Wants To Sing In Your Face” person is on hourly, for what is to me, also forever.

Pretty people also are staging to the T.V., some with awards, more with sadness in their brain thoughts.

On the carpet, all women admit to wearing the clothes of someone else – yet none of the carpet questioning people feel the creeps.

This is Hollywood.

This is the Academy Awards.

This review is “Jack The Giant Slayer.”

It needs not to worry about the Academy Awards.

Ever.

But, even though winning is not to be foreseen – this is good for the film worker people. If for to win, they would have to talk to “Smug Guy Who Was Upstaged By Captain Kirk” which would be the suck.

But all is not bad. Really.

First, I, Kimmo, will not use Fee, Fi, Fo, Fum in the film review.

All critics who do – or use any variable of the 4-F’s – is of the review school hack class.

No Fee, Fi, Fo, Fun for good review.

No Fe, Fi, Fo, Dumb for bad review.

No Fee, Fi, Foo, Meh for a review tweener.

This reviewer (though many times with drunks and stoned) is not of laziness.

So review I must.

Plot? Fe, Fi, Fo, YES! Damn, it was too much to not do.

Plot – Jack is a kid with stories talked to his ear hole by Dad (look out Dad! Here comes the plague!).

Isabella is a kid who has the same stories (look out Mom! Etc). and grows up to be hot.

In real life, Jack (Nicholas Hoult) got to diddle Jennifer Lawrence and motor-boat her rack (for this, Hoult deserves Lifetime Achievement Award). Then, she, Jennifer, was too good for a bean kid.

To continue, hot Isabella (Eleanor Tomlinson) is now fap fantasy for Roderick (Stanley Tucci – with creepy sameness inside from “The Lovely Boner”) who is shopping for the Magic Crown that lets the owner control Giants – people who are taller than Abraham Lincoln (see review).

Jack does stuff, like slaying Giants, but damn spoiler title told you that already.

The move is in the land of Not Bad.

CGI Giants are CGI from the days of Tecmo Bowl Nintendo. Fun after bong sucking, fun after the beer chug, cheesy in my real reality.

The 3D was realistic as to make me barf. Yes, the 3D, not the too much overdrunk beer and stale Raisonettes.

I stand by this statement.

For you readers with bigger brains, see the ripped off for this movie – “Trollhunter.” This move is more better than “Jack blah blah blah” in the way that all of Scandinavia (minus Sweden) is superior to Los Angeles (except for the weather – so I really hate Scandinavia, I guess – my mind is confusion).

The Trolls are better computer beasts than the Giants – although the Giants have more lines.

So one and a half thumbs in the atmosphere. There is enjoyment.

I expected a major suck (like that damn Twilight turd-fest) and the suck did not appear.

The secret to liking a film (I’m now thinking) is to expect it to be full of the horrible.

This did not work for the Twilight films, but seem to work for all else.

I will continue this film experiment – since summer is coming, with its crap-storm of film stink. Here is hoping my expecting is not my reality.

Kimmo Mustonenen – (Kimmo On Kino) – Behind The Proscenium

P.S. It is almost again the time for baseballs! I don’t have understanding for the game so much, but love Dodger Dogs – and cold beer that is more money worth than gold in its cost. This game is not hockey (the greatest of all since it was played by God Himself), but not bad for steroid boys with bats. Not to mention hot baseball groupies. Play balls!

June 2, 2011June 4, 2011

X-Men: First Class [REVIEW]

X-Men: First Class

With Wit, Reviewed By Kimmo Mustonenen

I can declare X-Men: First Class the best since the mutant melee X2! Is this saying much? What?

As direct by Matthew Vaughn (Layer Cake and The Stepping Donkey – as well as the stupid Kick Ass), this prequel is chaotic and baggy and too long, but watchable often funny strange, and occasionally a flash of cold steel.

It’s the Swinging 60s’ and telepathic brainbox Charles Xavier (James McAvoy) and his shape-shifting pal Raven (a blue colored sexpot Jennifer Lawrence – seen recently but much less hot in “Winter’s Bone”) are coming to terms with their mutant powers.

Contacted by CIA operatives Moira MacTaggert (Rose Byrne), who is tracking maleable mutant mastermind Sebastian Shaw (Kevin Bacon from “Footloose”), Xavier agrees to share his expertise on Mutation.

Meanwhile, Holocaust survivor Erik Lehnsherr (Michael Fassbender) is using his mutant powers to cut bloody swathes through Europe and South America in the search for Shaw, who transjected him to unspeakable Horrors in a Nazi concentration camp.

As Lehnsherr’s activities put him on Xavier’s radar, the boffin manages to convince the magnetic avenger to join the team of mutants he’s assembling to take Shaw down.

Yes!

Using technology devised by the genius mutant Hank McCoy (Nicolas Hoult), the duo begin to recruit and train a gifted crop of youngsters and as Shaw unleashes a devilish scheme to wipe out mankind, it’s up to these ‘X-Men’ to save the day.

What?

There’s much about First Class that’s X-ceptional (ha ha, I did it!) not least of all the casting of the equally admirable McAvoy and Fassbender as the two men whose warring ideologies give X-Men stories so much more abyss than the average comic book yarn.

As X-Men creator Stan Lee has always maintained, Xavier and Lehnsherr are based on Martin Luther King and Malcolm X, setting the tale at the height of the American civil rights movement is something of a master-stroke.

It also allow the director Vaughn to indulge in some far out 60s’ referencing, from depicting Lehnsherr as a smooth 007-style assassin to setting the action-packed finish against the backdrop of the Cuban Missile Crisis.

Scripted on high by Vaughn’s Kick-Ass collaborator Jane Goldman, it’s ironic that’s the most youth-orientated X-Men adventure is as well the most adult. What?

Along with startlingly effective moments of violence and a slinky sexiness that’s likely to leave comic book nerds needing a lie down, there’s even the dropping of a well-timed F-bomb in a priceless cameo.

X-Men films have always been about the strength of the ensemble cast, and Vaughn has put together a fine group of young actors who work together with an easy charm and restless unease; Hoult and Lawrence’s (wow, that girl!) tentative romance being particularly effective.

Bacon is also in fantastic acting shape as the sneering villain. January Jones, regardless of various scenes with bra and panties pushed up, is fairly forgettable as his sidekick Emma Frost – even with her bustiness on display.

Jason Flemyng’s teleporting terror Azazel is scary enough to ensure the bad guys are satisfyingly formidable.

Capturing the spirit of the previous films without desperately struggling to achieve continuity with the theme, Vaughn portrays these familiar characters with honesty and gives them a strong origin story.

That rings true, nodding to past installments, without being overly reverent.

Unfortunately, it’s some wobbly CGI reminiscent of the disappointing X-Men Origins: Wolverine, and a rushed speed that prevents First Class from being the superhero equivalent of JJ Abrams’s Star Trek reboot fantastic.

With an extra six months in post-production and a less ramshackle edit, this easily must have been the best X-Men movie ever.

It is very close regardless, and its forms of Professor X downing a yard of ale for chatting up the girls down the pub has classic scene for the ages written all over it.

Kimmo Mustonenen – Behind The Proscenium (Kimmo On Kino)